Encoding

I'm looking at you

Slicing the blade of time along the disappearing edge, we begin to approach the sharpest point where the event horizon distorts: we are about to collapse into an alternative universe. This current space we inhabit is another launchpad for extra-dimensional exploration. Our minds have been packed with the tools of interpretation that will allow us perspective shifts upon cultures not yet experienced.

The influence of previous proximity is largely negated by the time delta. Nearness can be enhanced momentarily for those best prepared for newness. How does one become equipped for such encounters? We tune in to being wakeful. Brevity demands we act now and embrace what we may have otherwise not known.

Are we headed somewhere without? Is that even possible? Regardless of where we are on the physical plain, we are still within. No matter where we embark or where we land, we will still be inside the entity only known to us. Should we decide to expand the universe, the plasticity of our conditioned mental environments will dictate and limit the breadth of our ability and discovery. Malleability is not a desired trait aside from those who have managed to cultivate themselves as creators and leaders; even there, we enforce hard limits.

With conditions ripe, we manifest a reality alteration. Automated systems of support are aligned for the occasion, and all that is left is to act and be present. What patterns emerge and sequences coded will be largely dependent upon all that preceded these days. A record of this journey will be forthcoming.

Super-Complexity

Trump is DADA

A youth fraught with tension and the insatiable need for novelty propelled me to look to all corners of culture for the landmarks that would direct me to my creative stomping grounds. My mind was a minefield of explosive ideas that the 20th century launched onto the intellectual landscape. Covered in the excrement and entrails of the futurists and surrealists before being lightly dusted in the philosophy of modernity to the awareness of art Deco, pop art, and minimalism, I sought to find some kind of sense of what it meant to be human.

The grinding noise of modernity belched a symphony of agony first described by Luigi Russolo in The Art of Noises, followed by the anguish of Antonin Artaud and his Theater of Cruelty, which, when combined, acted as the dress rehearsal for the squalor brought upon humanity by the fascist propaganda and genocide of a world at war that has mostly stayed with us for the duration of my life. While not on the same scale of focus, the carnage of ghastly horrors with independent actors instead of state actors thrives in our internet age.

I looked to William Burroughs for insight into juxtaposed non-sequiturs as media and most information became a global cut-up. Charles Bukowski and his purple turkey neck collided with all that preceded him and would help forge the die that would manifest the model for a future president. Absurdity was supposed to be the domain of art, but as life is so apt to do, it has imitated art. We started becoming the embodiment of the cartoons of satirist Robert Crumb’s depictions instead of the aesthetic wholesome image Walt Disney would have liked to have modeled us in. One thing is certain, though: we should never have allowed ourselves to become characters in a comic strip.

Looking to complexity in the early days of the personal computer revolution, I was searching for a new technology manifesto that would channel the best of Tristan Tzara to create my own youth art movement in the spirit of Dada. I was ready for more nihilism, and anti-everything was on my agenda.

Nietzsche and Baudrillard were the perfect conduits for my rage against conformity. They knew the idiocy of our idols and icons that were programming us for mass stupidity. The bulwark of the money machine had other designs on the habits of people and preyed upon the laziness of those who would covet an easy path instead of one paved with struggle.

It would take decades before I would start to see the next big wave in creative intellectual meanderings that would illuminate a world not yet invented but just around the corner in our future. The minds of Marshall McLuhan, Max Horkheimer, and Theodor Adorno may have gleaned insight into the role our evolving media culture would play though they didn’t foresee the emergence of a distributed global real-time collaborative information and knowledge machine. The rules of distribution and ownership took a monumental turn with the close of the 20th century.

While the one-dimensional man hasn’t been reduced to ashes yet, the seeds of change have hopefully been planted, though the current socio-cultural landscape would certainly suggest otherwise. From Elon Musk’s Space-X, we learn more about Max Q and the pressures of reaching escape velocity, but who will be the inspiration that will help guide the collective mind of humanity to reach its own Max Q?

The ideas put forth in The Critical Engineering Manifesto lay a partial framework that, when merged with the nascent world of generative algorithms exploring blockchain-birthed truth tables, will, I believe, enable emergent systems to bring about creative swarms of enlightenment. This will effectively be the unveiling of a new language to the adherents of super-complexity.

Currently, fear of artificial intelligence is stymieing a majority of relatively older people by not allowing them to embrace the creeping lingua franca found in the abundance of readily accessible information. The machines that will first benefit from AI, also known as deep learning, will, in turn, share their new capacity for seeing the world differently to educate a new population unafraid and already raised on advanced communication in the ways of super-complexity. Just as a generation stumbled with electronics, cell phones, VCR clocks, and the internet, my own generation will likely fail the transition that is now underway.

Art has nearly always had the effect of alienating those in control bent on maintaining traditions. The situation with our current age is that we’ve been evolving a global mindset that some have started recognizing as maybe being “out of control” and are now trying to stuff the genie back in the bottle. This cannot work, though the violence of trying to fight this change may wreak havoc before the cultural marauders trying to arrest progress are pushed into the background as history has always done.

We are living with the baggage from two centuries of conflict as well as great progress and are about to take a quantum leap forward to throw off the burden of carrying outmoded ideas of a species on the verge of extinction. I do not mean to imply that humanity is on a path of collapse. Instead, I’m suggesting that the intellectual dinosaurs are about to encounter their meteorite. Now is the time to adapt and survive. Embrace the change and get ready for a moment in our evolution that will be as consequential as when humans began to talk and control fire. We are on the verge of a radical pivot – or maybe we are heading for the exit?

What is Love?

Drawing

What is love?

Love is the internal hope and desire to inspire others, to mentor, to teach, and to learn from. Romantic love comes when that desire arrives with intimacy.

These characteristics of inspiring, mentoring, and teaching are also the cornerstones and essence of parenting. We, humans, learn from others, investing decades to share their knowledge with us. When the basis of that sharing is poor or ineffective, the results can greatly limit the potential of the person who was to be the recipient of those investments. Over the course of time, the benefits of this community involvement and individual sharing have the potential to aloft those students into various specializations. I suggest that this is an act of love.

To defend in law, treat with medicine, or enhance through invention then becomes the extension of offering love through skills that the one benefiting from these services would not be able to provide themselves. So these skills then reflect our inherent need to offer love and, in turn, require love to be reciprocated.

Art, music, and storytelling are gifts of creativity that allow us to demonstrate abilities that others can strive to emulate so that they, too, might share in the pleasure of witnessing others’ passions. In an age where mere survival is no longer the primary concern of a people, the arts and crafts have the potential to flourish and evolve as new levels of expertise are allowed to find expression.

Finding ourselves able to enjoy passion, inspiration, and finally, intimacy, we may encounter those we can romantically love. Cultivating and then nurturing these relationships requires finesse and nuance to establish mutual trust, finding a sense of certainty that the other will not hurt us.

Because love and pain are so often experienced as being delivered by the same person, we have built defensive mechanisms that can fan the fires of mistrust, making the seed of love difficult to germinate or keep alive. But it is not just love that is harmed by the effect of blurring the line between love and pain; it has an equally damaging role in our ability to learn. Trust between those who are bound together with this delicate emotion must nurture the relationship and not abuse the ability to inflict pain, or else the tender root of love can wither with dramatic negative implications for the individuals and society.

As we move out of adolescence into adulthood, we explore the fragility of deep trust as we try to nurture an exclusive relationship with another person we have not previously given our love to. The effort to satisfy and bring shared experiences passionately into someone’s life requires a tremendous effort where a symbiosis of novelty is evolving between the two people. The herculean task of opening space in oneself while exploring new space within another is precarious as both egos are exposed, and both are made vulnerable. It is then, out of these shared moments of tenderness and acting delicately within the senses of perception that we are able to realize the connectivity of moments that further act to build love.

But what happens should we forget to make these explorations or we never learned how to trust someone else while our most exposed inner selves are laid bare? Can we know love? What of those who are constantly denied love? Most of us start our very lives in the embrace of the people who unequivocally love every single atom of our existence and are willing to take their precious time to start teaching us how to communicate with one another. When will we recognize our own innate ability to share the love and return to inspiring, mentoring, and teaching one another?

Facebook

Facebook

I read a lot of negative stuff and listen to far more about how bad Facebook is. It may have its flaws and experience growing pains that verge into areas of behavior that could be questionable, but I hope these blemishes are repairable. Social media is evolving and is the first platform of its kind to connect so many people in the largest gathering ever. To me, it’s a kind of Woodstock, and the information fills in for the bands. Earlier today, I wrote the following on someone else’s post:

“What makes Facebook valuable to me is the diversity of people who have congregated in a single location; it is up to the individual to choose who to hang out with and what qualities of people meet their needs. Is this really so different than the real world?

For example, I go to a nightclub where 300 potential friends are also at. Statistically, some of those people are going to jail; others will go home to abuse a spouse; there are radicals to the left and right; some have crap diets, limited intelligence, or are poor dancers. I DON’T friend them all. I have to filter them, and if it’s the only club in town, then I can either bitch about what I have, move to the village that doesn’t have a club, or open my own.

Facebook is what we make of it. I’ve not friended 1.5 billion members; it’s only 180 people. Then I rub shoulders with maybe 500 others in places like Synth and Eurorack forums on Facebook. Occasionally, I bump into someone, and I think, “Yeah, this person might be interesting,” and so I join a conversation.”

Why does this have to be so difficult and rife with drama? Could it be because we are missing something in our own lives and need to blame anything else instead of taking responsibility for our own decisions to eat all the junk food, be it social or edible, that is within our grasp?

Recalcitrance to Change – TimefireVR

Road Closed Sign During Winter in Yellowstone National Park

Recalcitrance to change and the desire to return to some idyllic time that, in truth, never existed outside of one’s perception is, in my opinion, a recipe for disaster. Fear is likely the driving mechanism behind opposition to change. With change comes the potential to find one’s self on the wrong side of adaptability and yet everyone is changing all the time. After a long stagnation period where the intellectual rigor that should have been applied to one’s life is recognized as having been deeply neglected, the individual empowered by groupthink is likely becoming self-aware at a subconscious level of their disadvantage. Rather than push forward with the intention to do better, they find themselves joining the populist opinion that they are not wrong but instead, find blame in those ready to greet the uncertain future with gusto.

This type of thinking is a waking nightmare encouraging a population to march toward disintegration. History has witnessed previous epochs where the tide was moving to shift a people forward, but those in power were fearing being left behind. So they grab hold of that negative mindset and harness it to bring others into a false knowledge that their way of life is about to be destroyed. Too many join in the fear of those who are stealing their comfort and confidence.

Today, that fear is represented by the very thing that has brought us out of the stone age and is catapulting us out of the industrial age: technological progress. The Enlightenment opened the doors of technological creative processes that enabled humanity to discover and gaze upon the infinitesimally small found in the world of molecules and particles to the phenomenally large as represented by the scope of the universe and breadth of time.

Instead of strong leadership trying to guide those getting lost in fear and continued ignorance, many in those trusted positions are pandering to them, allowing too many to remain passive in a sidelined role. Might this be the more desirable outcome? Could the powers that be understand that there is no hope for those who have already deeply habituated intellectual lethargy where their stasis may as well be a 100-ton iron weight anchoring them to their own ignorance? Is the road ahead truly closed for those who fear the future?

What of those who embrace change but now fear that governments and societies are endangering progress by this acceptance of a status quo? Do these anti-change forces who would like to see a reversal of globalism endanger everyone’s future? Once the image was captured of our blue planet floating in the void and was witnessed by humanity, many realized that all that matters and all those we shall know to share the same little orbiting rock, and we’d better learn to get along. That unspoken acknowledgment of being of the same species in a shared space has delivered global commerce, communication, and awareness of an environment that must support all of us.

The physical environment is only part of the equation that includes our intellectual environment as well. We are in a symbiotic relationship not only with one another but with the sky, land, water, and the rest of life surrounding our existence. We evolved to this point in our journey from that well-balanced symbiosis with nature and our learning how to adapt to changing conditions. Normally, though the conditions required us to primarily employ our instinctual and physical strengths, today, it is largely intellectual. We now need to muster the mental strength to see our way through the cognitive morass of our own making.

The path we’ve taken started accelerating during the past 300 years through the relationship afforded by the cooperation of economic and political systems, enabling science to make strides that have brought us to this point in our technological modernity. At every step, we have encountered hurdles and branches that each generation had to negotiate. At this juncture where we are beginning to evaluate our own role in an automated environment that may free us from manual labor, we must start asking ourselves and our leadership what our continued role might entail when a robot or an A.I. is performing our job.

I, for one, do not see a dystopian future because where politics, economics, and science laid a foundation, I believe we are at the precipice where a safety net called creativity, as defined by our work in the arts, is ripe to harness this foundation and use it as a springboard into the next stage of human activity.

To be creative is to open oneself to embarrassment and failure as defined by those who have gone before us where fame and fortune eluded them. Often, though, this perception of failure was due to the circumstances of the age where a population wasn’t ready to assimilate the creative message being offered. Also in previous times, the tools were considered the domain of those who could afford them and who had the idle time to explore their uses before finding mastery and a benefactor who could support their ambitions.

Today, we have digital tools that offer us infinite canvas space, endless paint supplies, the sound of every instrument ever created, and millions more that are yet to exist. Cameras embedded in our phones, along with the internet, allow anyone to be a broadcaster. We are learning what influencers are all about. Video games are becoming a professional sport, with millions watching the streaming events on a myriad of devices. Our books, too, are delivered electronically, and images are attached to memes that will never let us forget the grumpy cat. A good majority of our commerce is already transacted online; it will be a small step to visit off-world alien malls constructed in virtual reality.

What if all of this is just the tip of the iceberg? How will technologies such as continued miniaturization leading to more power-efficient portable tools, virtual and augmented reality, and the greater reach of communication combined with the convenience of blockchain-enabled services impact our individual ability to attract our own audience and provide us with purpose when the traditional workforce is rapidly changing?

From here we must ask ourselves how will our social contract evolve following this transition from passive consumption and purpose defined by our jobs to active participation and the rewarding of our creative abilities. How do we start this conversation and bootstrap these emerging industries should it, in fact, be a course of travel we recognize as being one of our more viable paths at this crossroads in the human journey?

Teetering

Dry Frog on the Accordion

Are we teetering into madness?

Has the television warped our better senses to such a degree that some among us are falling into an alternative reality based on what we’ve been watching?

In an age where complex, technologically driven systems are driving our economies, are we witnessing the division of society between those flexible enough for adaptability and those unable to shift paradigms?

We appear to be gyrating through a convulsion wrought out of a full-on societal, cultural shift that is happening so fast that a large part of our population is failing to negotiate the hard turn.

When the fear of an uncertain future threatens traditions, customs, and the ways of life of the people feeling most affected by their perception of being displaced, might they begin to wage war to push back upon those who are seen as the agents of change?

The solutions found in the compromises that end cultural conflicts are usually that the aggressor will be contained and marginalized, as in time, they must cede control from the push of modernity and change. So, what is the role of a populace to assuage the fears of those becoming irrelevant in order to avoid the transgressions of war?

The voices that appear and take a stance against those trying to exercise outdated power have traditionally been silenced through means of violence. How in an age of mass media dispersed as it is, does the activist find a voice or platform that will ask that faction of humanity stuck in outmoded traditions and beliefs to understand the need to step down for the sake of our planet and future generations when they believe they are protecting an ideal?

Art has been used to seduce and provoke. It works to educate and cast light onto issues. Art in its varied forms entertains us, tells us stories, shows us the world around us, makes us dance, and informs us through the skillful verbal eloquence crafted by a masterful articulation brought by our varied languages. Art is at the core of the human experience. Ask any mathematician about the art of numbers or a physicist about the art of the universe. Inquire of a geologist if there is an art to be found in the composition of our Earth. If art plays such a central but often invisible role in many of the facets of our daily lives, how do we negotiate and offer the message of change as a necessity that appeals to the consciousness of that person stuck in an age that is quickly passing?