Aileen the Artist

Aileen Martinez in Phoenix, Arizona

How sweet are sweets from nice people who consider others when they travel? Today, it was my good fortune to meet up with Aileen Martinez after her return from a month of road-tripping from Banff, Canada, to Minnesota with dozens of stops in between; she’d thought of Caroline and me when shopping for dark chocolate in Chicago. Aileen is an artist I first met here at WeBe Coffee Roasters nearly a year or more ago. Since then, she’s traveled solo to Japan, where she collected impressive art supplies and amazing experiences. Another trip took her to Vancouver, and then there was one to Mexico, or was it two? Missing from this photo is fellow artist Jef Caine, who has found van life in the Arizona desert less than ideal. I don’t often share images of people I gravitate toward, but Aileen exercises an intentionality that embodies the kind of strength I find admirable.

Looking Up

Looking at the ceiling

Things start when I look down at my keyboard and accept that today is one more day of pause in the routine of writing. After more than six intense months of daily work playing the scribe, I felt that a break was in order, and that’s what I’ve been exercising. The problem with this is that nothing happens here on the blog; it’s as though I’ve ceased to exist. So, to assure my future self that I was, in fact, alive during the silence, I just looked up to see the sun and sky, but confronted with ceiling and lamps, I figured that now was a good time to pen an update. It wasn’t that the view spoke to me. Actually, it was an accidental button press on my phone that turned on my camera’s selfie mode, and I thought that the image looked appealing. Well, that was enough to start the process of searching for something or other to say in order that the photo would find its way into a blog post.

Now, here it is, and with little narrative worthy of sharing, but aware that I’m trying to coerce a few brain cells to act performantly so as to not appear uninspired, I sit here ruminating under the ceiling with a mind trying to see a brief update. Sure, there are travel plans, with the closest jaunt away from home beginning tomorrow afternoon, as a matter of fact. Then there are the amazing tutorials that have been walking me through the details of an interface connecting my DAW (Digital Audio Workstation) called Bitwig (where I record music from my synthesizer) with TouchDesigner (a node-based visual programming tool for creating complex generative art and data visualization), allowing for audio-reactive programming where I could channel visual events from my synth. With the help of generative AI-based image creation as found in Adobe’s Illustrator, Runway AI video generation, and Stable Diffusion using ComfyUI and the rapidly growing world of Diffusion Models, we are at the cusp of being able to create visual materials linguistically instead of by hand freeing us to create audio/visual symphonies as individuals.

Of course, my progress with any of that will continue to be interrupted by my self-imposed obligation to the task of writing a novel, upcoming travels, and the general requirements of sharing a life with a great friend. The point is things are looking up, and with new distractions that require mind-melting noodling of the aging organ in my cranium, I’m able to witness these new infinities playing on the horizon. More often than not, I listen to people trapped under the low-hanging ceiling of their own makings as they accept the conventions of habit, but every so often, I decide to engage with someone who seems to be emanating something akin to the wonder found in children at play and not only do they brighten my day, I appear to have left them with a spark of inspiration that fuels my desire to learn, even further.

The Loom Must Awaken

Leclerc Four-shaft Floor Loom in Phoenix, Arizona

Considering today’s title and this image, you might be wondering how I am bringing weaving, Orthodox Easter, and David Lynch’s Dune together. Easy peasy: eggs, that’s how. Stay with me a second. A Romanian couple, neighbors actually, invited us to join them today for Orthodox Easter. Part of our meal at their place included dyed eggs. The tradition is thought to have originated in Ukraine, but that’s uncertain. In Ukraine the eggs are called Pysanky and are made with a dye-resist or batik method. The patterns used for making Pysanky were first inspired by patterns found in traditional Ukrainian embroidery and weaving. The type of eggs that Anna decorated are referred to as Lysanky in Ukrainian; we don’t know the Romanian word. For this, Anna wrapped parsley stems around the eggs before tying them into pantyhose to hold everything in place and then dyed the eggs by boiling them in water with onion skins.

Eggs at Easter make perfect sense, considering how life begins for us mammals with an egg and, while not a resurrection exactly, they are a kind of renewal. Traditionally, the egg has been a symbol associated with spring and rebirth. Eggs laid during Lent were often saved and decorated, then given as gifts or eaten to break the fast on Easter Sunday.

Weaving, too, is about life, continuity, and the interconnected whole. In Greek mythology, the Fates (or Moirai) were three goddesses who controlled the threads of human life, weaving them into complex tapestries that determined each person’s destiny, while for the Navajo (Diné), there’s “Na’ashjé’íí Asdzáá” known as Spider Woman who taught the Navajo how to weave; she’s also the goddess of fertility that gives rise to life.

But why the obscure reference to David Lynch’s Dune in particular? Who doesn’t remember the line, “The sleeper must awaken,” that foretells the story of Paul Atreides, who will effectively be resurrected into the Messianic character called the Kwisatz Haderach who saves the people of Arrakis?

We’d recently seen the newest iteration of Dune, Part 2, and we thought it sucked eggs (was pointless) and failed to deliver what Part 1 or Lynch’s original was able to offer. There was no real story woven together in that dud, and so, the loom of the narrative must awaken to resurrect the film, or else Part 3 can go to hell, sucking eggs all the way to its infernal end. Obviously, that would be a very unhappy Easter indeed, unlike the magnificent Sunday celebration we had with our neighbors.

A Beam of Sunlight in the Deep Forest

A Beam of Sunlight in the Deep Forest Book on a Eurorack Synth

Every so often, my curiosity about what someone else is reading in public leads to a chance encounter. In this case, it was a book titled On the Mystical Shape of the Godhead: Basic Concepts in the Kabbalah by Gershom Scholem. The reader was visiting the coffee shop I frequent all too frequently for the first time. He and his wife had recently moved to Arizona following the completion of his degrees in philosophy and English literature. Ivan was born in Macedonia, meaning the pronunciation of his name is Eevon, while his wife Merry (yep, as in Christmas) seemed receptive to my intrusion, and before I knew it, he dropped the name Adorno. My eyes lit up; nobody just casually talks about Theodor Adorno of the Frankfurt School, the author of one of my all-time favorite books, Dialectic of Enlightenment, and I do mean nobody ever.

The proverbial one thing leading to another results in us exchanging contact data, and, contrary to the more stereotypical transaction of that type of exchange, he wrote to me six days later, in early November. Soon after, we met for the second time. Fast forward following a number of subsequent meetups, and I leave our coffee encounter with a book recommendation titled A Beam of Sunlight in the Deep Forest by Édouard Schuré, which I ordered from a small company focusing on “visually striking and unusual books.” You see it in today’s photo.

I’ve not read this book yet. I’ve not read anything this year due to my commitment to what I’m writing away from these rare blog updates. Nor is this post about Ivan, as there’s too much to encapsulate in a brief missive. Nope, it’s about the books I’ve purchased this year that are gathering dust. The list includes the following: Japanese Inn by Oliver Statler, House of Leaves by Mark Z. Danielewski, The Alexandria Quartet by Lawrence Durrell, Bifurcate: There is No Alternative by Bernard Stiegler, and Restoring the Pitchfork Ranch: How Healing a Southwest Oasis Holds Promise for Our Endangered Land by A. Thomas Cole. Compared to previous years, I believe this might be the least number of books I’ve brought into the inventory of new books that could require years before I open them. I said “open” not read, but that’s another story, another blog post for another day.

Up Before the Break of Dawn

Palo Verde flowers in Phoenix, Arizona

We rise before the sun, which arrives earlier every day on its quest to claim more of the night. Our days not only grow longer, but they become hotter, and the blossoms of spring must burst forth before the scorching summer heat crisps everything in its path here in the desert. We experienced our first 100-degree day (37 Celsius) nine days ago, which we can only hope does not portend something worse than last year’s fifty-five days of temperatures above 110 degrees (43 Celsius). Our winter gear is yet to be put away, just in case we are so fortunate to have a couple more cooler days ahead. Sure, the burst of color is always a welcome sight, as is the return of the song and fluttering of the mockingbirds, but the arrival of allergens works to temper the enthusiasm, even if only a tiny bit. With our alarm clock slowly creeping counterclockwise into the morning, waking us earlier and earlier, the warming days remind us of something else: hold hands as much as possible now because we are only weeks away from sweaty hands that lose some of the appeal of being grasped in love.

Happy 420

Cactus bloom in Phoenix, Arizona

This post has nothing to do with marijuana. The title was a convenient reference to a particular date to post something. Cactus blooms are small (though sometimes rather large) treasures that are real rarities. Sadly, as quickly as they show up, they are just as soon gone. Artificial Intelligence to the rescue! Posing the question as to why their blooms are so short-lived, Claude informed me of what should have been obvious. Blossoming flowers require a lot of energy and water. These things can be scarce in the desert, and with such a burst of contrasting beauty, they quickly attract the pollinators they require and, with their purpose satisfied, move immediately to wilting and death.

Another thing, most of these cactus blooms are in full flower when we are out at the break of dawn. It’s cooler then, so less evaporation will take place; plus, their primary pollinators being bats, moths, and beetles, those nocturnal creatures have these treats to themselves until the bees awaken.

Tree in bloom in Phoenix, Arizona

Not being experts in the visual identification of precisely what variant of hibiscus was blooming on this tree, we felt it better to admire the blossoms and not risk having a taste. Being in the Southwest, with a large Hispanic population, we have a ready supply of dried hibiscus flowers at any number of grocery stores that cater to the Hispanic market.

Attention: The above paragraph is false. It turns out that AI image detection is not foolproof, whereas  I, the editor, am extraordinarily brilliant and nearly perfect. Compare my knowledge to that of this man who claims to be a capable writer who engaged in the following text exchange, “Seriously, John? Everyone can see that this is Hoa Ban Tím, commonly known as Hong Kong Orchid.” To which he feebly replied, “Oh really, so why’s it in Arizona smarty pants?” I had to point out the obvious, “Duh, I’m from Germany, right?” What he wrote next makes me want to cry, “You’re telling me that someone married a plant?”