My brother-in-law, Klaus, from Germany sent this photo of two snails dedicated to Caroline from our niece, Katharina. Caroline’s nickname as a little girl was Schnecke – which is snail in German, so it is wonderful that Katharina thinks of her aunt Caroline and has made such a beautiful drawing of her aunt who lives so far away in America. Sadly, we have not yet met Katharina as we have not been back to Germany in 12 years and Caroline’s sister Stephanie, her husband, and daughter haven’t yet come to America. On occasion though we see some very sweet photos of Katharina, such as the ones I will be posting for the next few days. Maybe one day we will be able to convince Stephanie and Klaus to bring Katharina for a visit so she can go to Disneyland, hike a bit of the Grand Canyon, look for bears in Yellowstone, take a dip in the Pacific Ocean and finally meet her aunt and uncle for the first time.
John Wise circa 1992
This is me, John Wise, at my office in 1992 in Frankfurt, Germany. Caroline and I started producing record covers for Techno music in 1989 and eventually made many a t-shirt design, postcards, CD covers, magazine advertisements, posters, slides, and various other graphic designs, 3D modeling and animation, video, and multimedia stuff. We worked under different monikers, including:
Dweeb, Magic Donut, 4-Eyes…
…Optic Kiss, Kommunaggresion, Intrinsic Dimension, and…
…The Hippies. Prior to this, I did live concert documentary work for bands including…
…The Pixies, Nitzer Ebb, Dinosaur Jr, Front 242…
…Nirvana – (live in Hanau, Germany 1989),
The Sugarcubes, Psychic TV, Laibach, and about 100 other bands.
Our First Record Cover – The Hypnotist
Thanks to Laiki Kostis, whom I’d first met back in 1985 at his “Buy or Die” record store in Wiesbaden, Germany, Caroline and I were commissioned to create a digital record cover that Laiki needed for a new “White Label” he had in his possession. The record was from a guy who was a rising star with his project “A Homeboy, A Hippie, and a Funki Dredd,” and it was exploring a different sound. The project was called “The Hypnotist,” and the tracks were titled “Death By Dub” and “Rainbows In The Sky.” It was Death By Dub on the B Side that caught my attention, but I had to explain to Laiki that I had no experience using the computer for making graphics. He explained that I was the only person he knew with a computer and that he didn’t care what we did; he just knew he needed to release this with cover art as he felt he had a hit.
So this is our first record cover, and it opened the door to making even more covers for people all over the place, but I will forever be grateful to Laiki for the opportunity and to Caspar Pound for making such an amazing couple of tracks. Today was the day the record was officially released.
Birthday Gift
This was a part of the gift Caroline Engelhardt gave to me for celebrating my first birthday with her since we started dating. While Caroline was at the Psychic TV concert last year in the early hours of the 4th, we weren’t interested in each other at that time, and hence, I don’t think I even pointed out that it was my birthday. I turned 27 on this day, and besides the much-needed shoes (mine were falling apart), she also gave me some balloons that sat on top of a cabinet near the hall door so I could see them all the time. This is also the very first post I’m making after starting to scan in our archive of materials here at the end of August 2018.
Those balloons stayed there and, for years, still had a tiny bit of air left in them in 1995. We finally got rid of them when we moved to the United States in April of that year.
Her Number and Wishes for Yummies
Just earlier today, after Caroline Engelhardt and I first kissed at 5:00 in the morning on Weberstraße around the corner from her apartment at Gluckstraße 8 in the north end of Frankfurt, I fell head over heels in love with her. Yes, it was just like that. From the first time we met at the Volksbildungsheim on Eschenheimer Anlage back on 11 February 1989 at a Slawheads concert and again running into her at a Die Form show, the Swans, and Psychic TV all on various dates between then and last night, I had no interest in her, nor do I believe she had an interest in me.
Turns out that we were both at the Pixies concert at the Batschkapp last night. I found it strange that we kept running into each other at so many concerts, so I took the time to sit down with her on the stairs of the overpass for the train, and we talked until it was too late to catch a train home. I offered to give her a ride. She invited me up to her apartment, and I don’t believe she had any intentions behind the invite other than being friendly. First, I was struck by the number of books she had and then by her record collection, she let me peruse. Turns out we share a lot of common interests.
Quickly, it seemed it was closing in on 5:00 a.m., and I had to go. She offered to walk me to my car as it had taken time to find a place, and she didn’t want me to get turned around in her neighborhood. I can’t tell you why I reached out to kiss her on the cheek and how it was that we met face-to-face, but we did. It was the most gentle, delicate kiss of my life. There were no slobbering tongues, no move to making out, just a sensually soft and brief kiss that rippled the fabric of my universe. I was stunned.
I drove home (that’s another story) and was smitten all the way there. After I woke, I frantically reached out to her, and we agreed to meet that afternoon; it was a Sunday. I couldn’t tell her that I’d gone off the deep end of love with her as I couldn’t know what she was feeling, and my situation was complicated, to say the least. So, trying to give reason to meet yet again, I asked if she’d like any American things from the military shopping area, also known as the PX (Post Exchange).
This is the list that she wrote to me, and in that snail she drew, I will forever see her smile.
Front 242
I took a video camera into a concert at the Wartburg in Wiesbaden, West Germany (as it was known at the time) and someone with security politely told me I wasn’t allowed to film without permission of the band. So I went over to the mixing desk and asked Front 242’s soundman/manager, Daniel Bressanutti if I could film the gig; he said, “Sure.” This was the very first concert I ever recorded and my interest was nothing more than that I loved the band. I’d first heard of 242 the year before on German television and knew that if they came to play, I’d see them.
The tragedy of my recording was that I was using a consumer-grade camera with a cheap onboard mic which meant that the audio quality was so poor as to be nearly unlistenable. Back then I also didn’t understand that I should have acted more aggressively and gotten up in front of the stage.