O|D ER-301 Arrival

ER-301 packaging from Orthogonal Devices

Back on October 31st on the way to dinner I panic bought a new sampler due to the hype around it I was reading about. Brian Clarkson of Orthogonal Devices over in Tokyo, Japan had built up a reputation of being a quality engineer who put an incredible amount of work into his first offering, the ER-101 and ER-102 sequencer combo. Something clicked as we were driving and so on my phone out in the middle of the desert on the way to Cave Creek I made my first large purchase of Eurorack modular gear over the phone on an impulse. The confirmation of my order took another week for Brian to get to and then a few more weeks would pass before at the end of November I received a shipping notification. A week after that and my ER-301 Sound Computer arrived in this beautiful wood box with a sliding top panel.

While I thought I was buying a sampler as that was the feature I was most focused on, it was in reality a sound computer in that not only could I record and play samples, I could also create full synth voices in this device. At $875 it easily qualified as the most expensive bit of gear besides my cases that I’ve purchased so far and it’s seriously well worth the investment. The firmware is pretty rough at this early stage, but Brian gave warning that this was better suited to the enthusiast who could be patient rather than the person who wanted instant results. It’s fun to be along for the ride.

Oregon – Day 10

Control Voltage in Portland, Oregon

There are barely a dozen of these types of shops on Earth: places that carry a wide offering of Eurorack synthesizer modules. This one in Portland, Oregon, called Control Voltage, is one of seven on the West Coast that I know of. There’s also one in Detroit, New York City, and Berlin which covers all the major players and a couple of the minors ones, too. Unfortunately, none of them carry everything available as many modules are made in limited runs, and some units never even make it to retail as manufacturing operations can be so small that the creator only sells their modules directly to end-users. To be frank, I find most of the shops to be difficult places to visit, not only because I want to buy everything, but mainly because I’m not a regular, I’m not in their target age group, and maybe because as fellow artists, they too are awkward. If you are persistent and go in with specific questions while not being too shy, most of the time, the people in these shops are full of a vast body of knowledge after you get past the heavy hipster vibes.

What Caroline was doing while I was making my pilgrimage is beyond my recollection, as this temple requires my full attention. From here, we returned to the airport for our flight back to Phoenix in time for dinner.

While waiting on our flight, I took time to write the following, which closes out my writing exercise for this adventure:

The Fibers of Creativity:

You discover a clump of long animal hair or crimped strands of fiber but it will require a leap genius to get to the point where you can create clothing from it. Because learning is inherent in what humans do, we rarely, if ever, recognize the incredible leaps of intellect at work on a day-to-day basis as we go about our lives of constant discovery. Once the process has begun in our first months of life and without our explicit awareness that it is happening, we are being programmed by those around us to pick up fragments of information that are going to be brought together in the tapestry that will form our character and help shape our future.

This process is similar to the discovery of that strand of hair I just spoke of. Without another hair and another and so on, we will never accumulate enough of them to begin the process of spinning them together in the fundamental building block that will create a piece of yarn. Only after many steps will we finally be able to start weaving together our yarn to create cloth, rugs, blankets, or any of the many other things we can use to help us survive our exposure to the elements.

Knowledge of a process such as those found in the fiber arts extends to all things in life. But what happens when we are lazy and don’t continue adding to our fabric? We outgrow our clothes, they wear out, and ultimately, they will fall back to dust and no longer serve us. What happens when we no longer tend to the accumulation of knowledge? We outgrow our immature thoughts; they no longer fit with those around us, and they will ultimately fail us as we humans are always moving forward with the demands of work and play that require ever-greater skills that can only be achieved by constant learning.

Out of the tapestry, a picture begins to emerge, but what if the tapestry never grows beyond a few inches, or as it gets older, it frays, and its image can no longer be clearly seen? This is the perfect metaphor for our own knowledge. It doesn’t matter what we add next, as it is the randomness of impressions that leave traces and etch strong memories that will forever shape the person we are becoming. So why should this ever stop? Essentially, it probably never really does, although people can put themselves on a personal treadmill of repetition and habit that effectively stops the incoming world from offering more from its cornucopia of never-ending knowledge.

So, I would like to suggest that it is a personal imperative that all of us understand our place in the weaving of our own stories. If you’ve been laying down too much nondescript beige in your cloth for the past years, it’s time to break out the lime green and fluorescent orange. This will require you to learn and do something new and out of your ordinary. Stop reinforcing negative attitudes by repeating that you don’t like something you may have never tried or experienced a decade or more before. Stop listening to the same music just because it makes you feel nostalgic for a time you believe was better; it probably was because you were still hungry for new experiences.

Do something you thought you’d never do, go somewhere you can’t believe you are making the effort to go to, and read up on a subject in-depth that you thought you had no interest in. I’m always meeting people in Arizona who’ve lived in Phoenix for 20 years and have never been to the Grand Canyon: go. Don’t know what to read? Try Swerve, Salt, Horseshoe Crabs and Velvet Worms, or Moby Dick – it’s long but is way better the older we get! Maybe it’s time to eat some haggis, heart, turnips, raw fish, curry, or whatever food items you’ve been afraid of or convinced yourself you don’t and will never like. Stop whining about this or that music giving you a headache; listen intently a few times to some classic examples of what others have considered the greatest hits of a genre. You may have to try any of the above a few times; they say that anything can be brought in to be enjoyed if we only give a chance a few times.

Give your mind a chance. Understand that you are a learning machine that is constantly adding to your own tapestry. Keep on weaving your personal story; it should be as long as your life.

MoogFest 2016 – Day 4

Eban Crawford playing the prototype Expressiv Infinity at MoogFest in Durham, North Carolina

This is Eban Crawford playing the prototype Expressiv Infinity in one of the hallways near our workshops. The city of Durham has done a great job bringing this event to their city and the support for all of the art and venues that are playing a role at MoogFest. I’d love to come back but will need to take off a few years to recover from the stress of signing up for events and workshops that fill up minutes after the schedule goes live, and even then, it turns out that your reservation doesn’t have to be respected if one of the MoogFest staff members decides to let walk-ins enter a workshop early thus bumping you because of fire code rules that only allow so many people in the room. Getting booted from the Robert Rich performance also hurt my enthusiasm. The solution next time, I suppose, would be to purchase the $350 VIP option, which allows the attendee to register their interests before the cheaper $99 general admission guest. While the organizer might think their pricing is fair, I don’t think they take into account those who are incurring greater costs due to coming from out of state and out of the country. The truth is that I don’t know how I’d organize it any differently for such a niche and eclectic event.

Caroline Wise at the LittleBits workshop at MoogFest in Durham, North Carolina

Building circuits at the LittleBits workshop, where we are learning to make our own optoelectronic sequencers and noisemakers, is a blast.

Suzanne Ciani performing on her Buchla at MoogFest in Durham, North Carolina

Our last performance was in the middle of the afternoon and it was of Suzanne Ciani performing on and demoing her Buchla synth. Suzanne is a pioneer in electronic instruments and sounds having created an iconic bottle of Coca-Cola being opened sound and a wide body of work for film and television over her career. She also holds the distinction of being the first woman to be the solo composer of a major Hollywood film. Most recently, she’s been working with Kaitlyn Aurelia Smith, who has been gaining attention as a Eurorack synthesizer artist.

Suzanne Ciani's Buchla synthesizer at MoogFest in Durham, North Carolina

Suzanne Ciani’s Buchla synthesizer.

Caroline Wise and John Wise entering South Carolina

Heading south out of North Carolina and traveling through South Carolina on our way back to Atlanta for the flight home tomorrow. It was a truly great adventure and learning experience.

MoogFest 2016 – Day 3

Eurorack synthesizer from MoogFest in Durham, North Carolina

It was bound to happen, and happen it did. No, this Eurorack synthesizer did not become mine, but I started down the path of buying components for a synth that would become mine. Part of yesterday and again this morning, I was talking with the guys from Make Noise, WMD, Bastl, and, of course, Rick Burnett of Erogenous Tones, who has probably spent nearly two hours with me by now. So without a case to mount anything in and zero idea of how any of this stuff works yet, I take the plunge and buy my first Eurorack modules. First up were the Make Noise Pressure Points, 4MS Spectral Multiband Resonator, and the Black Market Modular Colour Palette filter. An hour later, I grabbed the Noise Engineering Loquelic Iteritas oscillator, WMD DPLR Delay, WMD Aperture filter, and the Erogenous Tones Levit8 mixer. Ten pieces of never-before-played equipment and no real knowledge if I’d gather enough skills to feel that my purchases were worth it; I did it and will try not to look back. They say Eurorack is one of the worst and most expensive habits to acquire, and I’m learning the truth about that.

Michael Garfield leading a live looping workshop at MoogFest in Durham, North Carolina

While it was difficult to focus on the workshops I’d signed up for as I was in a purchasing frenzy, I really did make an effort to attend. This one is from Michael Garfield, who is leading a live looping workshop.

Jaron Lanier giving his keynote at MoogFest in Durham, North Carolina

Jaron Lanier was here today for the second keynote of the festival. Jaron’s career started for me back in the early ’90s with the first go-round of virtual reality. At one point during his talk, he gave a demonstration of a “khaen” instrument from Laos, which dates back to the Bronze Age; I’m tempted to buy one if I can find it.

Reggie Watts performing at MoogFest in Durham, North Carolina

I was busy talking synth modules again while Caroline took in a performance by Reggie Watts. I also bumped into Richard Devine and Jaron Lanier while in the synth demo area.

The Orb performing at MoogFest in Durham, North Carolina

We have finally seen The Orb live and in person, and they even played a bit of Little Fluffy Clouds!