My Bloody Valentine

My Bloody Valentine circa 1989

https://www.youtube.com/watch?v=_vuH2iZDp3o  CLICK HERE TO WATCH SHORT CLIP!!!

Back in the day….way back like in the 1980’s I used to move around Europe and on many occasions, I’d meet up with a band and video-record their show, always with permission.

Somebody from Germany was recently looking for photographs of My Bloody Valentine from another show and so I thought I’d share this with him. If you are a fan there are about 10 minutes of interview followed by the entire performance of the group. The sound is crap because my crap camera back then and lack of professional microphones produced crap sound. If anyone has any tips on how to repair that I’m all ears.

Iberi

Iberi at The Musical Instrument Museum in Phoenix, Arizona

For the first time in what feels like a long while we made it over to the Musical Instrument Museum for a live performance. Tonight we were enchanted to be able to take in the Georgian folk choir “Iberi.” Taking us back in time and across the geography of Georgia which lies between Russia to the north and its southern neighbors Turkey, Armenia, and Azerbaijan. The ensemble put on a solid performance though we would have loved just a bit more dancing, that guy on the far left definitely has some skills.

Sahba Motallebi at The MIM

Sahba Motallebi at the Musical Instrument Museum in Phoenix, Arizona

This is our last concert of the year and the first time we are seeing Sahba Motallebi. She is a member of the Iranian National Orchestra and is a renowned virtuoso Tar player. Tonight’s performance is once again at the Musical Instrument Museum in north Phoenix and we were some of the lucky few that had this opportunity to witness such a marvelous artist practicing her craft.

Mehmet Polat Trio

Mehmet Polat Trio at the Musical Instrument Museum in Phoenix, Arizona

Tonight at the Musical Instrument Museum was the Mehmet Polat Trio…I think I’ll let his website do the talking this time:

The Mehmet Polat Trio is a spiritual yet adventurous meeting of three virtuosos of magical instruments: ney, kora, and ud. With roots in the Ottoman, ancient Anatolian, Balkan, and West African music traditions, the trio welcomes listeners with its musical authenticity. The original compositions are colored by daring improvisations and grooves, presented in an atmosphere of chamber music.

King Sunny Adé

King Sunny Adé

The King of Ju Ju music from Nigeria; King Sunny Adé was playing tonight at the Musical Instrument Museum. I’d first encountered his music back in the early 1980s in Los Angeles as somehow he became rather well known in the punk rock circles of L.A. at the time. That it took me more than 30 years to finally see him is as bad as the 30 years between learning of Kronos Quartet and finally seeing them here at the same venue. The diversity of acts that perform at the MIM is extraordinary and I cannot praise their booking department more for their fantastic efforts.

MoogFest 2016 – Day 4

Eban Crawford playing the prototype Expressiv Infinity at MoogFest in Durham, North Carolina

This is Eban Crawford playing the prototype Expressiv Infinity in one of the hallways near our workshops. The city of Durham has done a great job bringing this event to their city and the support for all of the art and venues that are playing a role at MoogFest. I’d love to come back but will need to take off a few years to recover from the stress of signing up for events and workshops that fill up minutes after the schedule goes live, and even then, it turns out that your reservation doesn’t have to be respected if one of the MoogFest staff members decides to let walk-ins enter a workshop early thus bumping you because of fire code rules that only allow so many people in the room. Getting booted from the Robert Rich performance also hurt my enthusiasm. The solution next time, I suppose, would be to purchase the $350 VIP option, which allows the attendee to register their interests before the cheaper $99 general admission guest. While the organizer might think their pricing is fair, I don’t think they take into account those who are incurring greater costs due to coming from out of state and out of the country. The truth is that I don’t know how I’d organize it any differently for such a niche and eclectic event.

Caroline Wise at the LittleBits workshop at MoogFest in Durham, North Carolina

Building circuits at the LittleBits workshop, where we are learning to make our own optoelectronic sequencers and noisemakers, is a blast.

Suzanne Ciani performing on her Buchla at MoogFest in Durham, North Carolina

Our last performance was in the middle of the afternoon and it was of Suzanne Ciani performing on and demoing her Buchla synth. Suzanne is a pioneer in electronic instruments and sounds having created an iconic bottle of Coca-Cola being opened sound and a wide body of work for film and television over her career. She also holds the distinction of being the first woman to be the solo composer of a major Hollywood film. Most recently, she’s been working with Kaitlyn Aurelia Smith, who has been gaining attention as a Eurorack synthesizer artist.

Suzanne Ciani's Buchla synthesizer at MoogFest in Durham, North Carolina

Suzanne Ciani’s Buchla synthesizer.

Caroline Wise and John Wise entering South Carolina

Heading south out of North Carolina and traveling through South Carolina on our way back to Atlanta for the flight home tomorrow. It was a truly great adventure and learning experience.