Meandering Hopi and Navajo Lands

Wigwam Motel in Holbrook, Arizona

Only a few hundred feet from the railroad tracks and well within earshot of the rail crossing just up the road, our sleep was punctuated by the sound of trains passing throughout the night. Small price to pay considering we’re sleeping in a 72-year-old concrete wigwam. And not just any wigwam, mind you; John Lassiter of Pixar passed through this area on vacation some years ago and, inspired by many of the sights he had encountered (including the Wigwam Motel), he would make some of those locations famous as they found their way into the animated feature film Cars.

Wigwam Motel in Holbrook, Arizona

During many of our previous visits to Holbrook, we used the old town here on Route 66 as a waypoint before moving on to other places that drew out more of our curiosity. Well, today, we’re taking the time to walk around in order to get a better feel for the place.

Holbrook, Arizona

Last night, I forgot to point out the difference in gasoline prices between the Phoenix area and these northern climes: we paid $4.39 a gallon up this way and $5.19 down in Phoenix. Why this large delta in prices? This doesn’t make sense as hauling fuel further away should also impact prices, but I think what’s at work is that the oil companies know that the populations of big cities have more income, and so, in effect, they can squeeze us for greater profit while only making a reasonable amount of money in rural areas that would otherwise harm the lower-income population. That, or we are subsidizing rural America so they can better survive what is often a meager poverty-level existence?

Holbrook, Arizona

Walking down Hopi Drive, once the old Route 66, offers a tragic view into the nostalgia that hangs over this part of Holbrook as while a few businesses are hanging on most are gone, and what remains grows long in the tooth. Surprisingly, an old movie theater is still here, and had we known, we likely would have stopped in last night for the only showing of the day at 7:00 pm of Top Gun Maverick. Joe and Aggies Cafe, we’ve eaten at before, is shuttered, and its dusty windows offer a glimpse into a time capsule.

Holbrook, Arizona

While we’ve always had a soft spot for old signage, it’s only now occurring to me that signs such as this one at Butterfields Steak House would never be affordable today. Handcrafted, heavy steal, blinking lights, and neon towering 30 feet over the road, these are now relics of the past for old towns like this. I’ve likely shared this before, but it was back in 1969 or so when I first passed through this area and had the sound of the passing trains during the night seared into my memories. While I can never know which motels or restaurants we stopped at during our epic cross-country trip from Buffalo, New York, to Long Beach, California, where my father was living, I do have distant images stored in my memories of waiting for tables at noisy cafes, looking at wildly colored desert landscapes, and endless roads.

Holbrook, Arizona

Some of the old motels have been converted into long-term rentals, albeit without any of the services that once serviced rooms every morning, invited guests into pools, and brought people into experiences that would last lifetimes.

Holbrook, Arizona

Decaying places become sad tragedies of forgotten pasts when a new generation has little to no connection to what has been. At least with the ancestral Native Americans, there’s mystery remaining in the scattered ruins, eliciting a deeper wonderment where we try to imagine something so distant that it defies our ideas of just how things worked.

Holbrook, Arizona

When it comes to America’s relatively recent past, I think most romantic notions are gone, and the antiquated, weathered relics are skipped over as our modern car culture seeks out drive-thru convenience and luxury that allows people to separate themselves by class compared to 60 years ago when we were all just Americans out for adventure into the unknown.

Holbrook, Arizona

Achtung Europäer, this is part of why you want to travel to the United States. It doesn’t matter if Romo’s on Route 66 is good or bad, but you will have eaten Mexican food at a diner with a mural of a taco, burrito, and a chili pepper racing down the road through Monument Valley and past petrified wood as you yourself move between those areas.

Holbrook, Arizona

How does one shit on the past? Read the bottom of the sign, Vape Smoke Shop featuring vapes, E-juice, and CBD. Sure, life evolves and goes on, and who buys rocks these days anyway or wants to stop in at a trading post to buy tchotchkes from an old man selling junk made in China? All the same, we don’t turn old churches into sex shops (not that anyone goes to those anymore either), but to desecrate through neglect and abandonment the adornments that were part of a prosperous past is the ignorance of a culture that has failed to understand exactly what it is that makes other places that cherish their history so attractive.

Homolovi State Park in Winslow, Arizona

Homolovi is Hopi for “Place of the Little Hills,” and that’s exactly where we headed after leaving Holbrook.

Donkeys at Homolovi State Park in Winslow, Arizona

Within eye-shot of Interstate 40 is this state park that not only features donkeys staring at people menacingly but there are also seven ancient Pueblo sites dating from 1260 to 1400.

Homolovi State Park in Winslow, Arizona

The people who lived here are called the Hisat’sinom, which is Hopi for “long-ago people.”

Homolovi State Park in Winslow, Arizona

While outsiders might consider this a site of Native American ruins, the Hopi consider it to still be spiritually alive. As such, the broken pottery shards scattered across the Pueblos were the belongings of ancestors; they are not here as souvenirs, and out of respect, visitors should do their best not to collect the personal belongings of others. Just try to imagine that your grandparents died and your family was preserving their home as a shrine to their lives, but random visitors wandered into their bedroom and helped themselves to your family’s heirlooms.

Homolovi State Park in Winslow, Arizona

I wonder how many times I’ve written the explanation that this underground room is a kiva used for ceremony and political purposes?

Homolovi State Park in Winslow, Arizona

Maybe it looks desolate to us here 600 years after the villages were abandoned, but we can’t know life here back when the nearby Little Colorado River sustained life. As white Americans moved in back in the 1870s, they made off with many of the stones from the pueblos to build their own homes in a place such as Sunset, Arizona, that was eventually washed away during one particular bad flood of the river. There were other towns out here that didn’t make it either, such as Brigham City and Obed, while Joseph City, with a small population of 1,307 inhabitants, has managed to hold on.

Homolovi State Park in Winslow, Arizona

As of today, 2022 will be known as the Year of the Lichen in John and Caroline’s fake Chinese calendar of themed years.

Donkeys at Homolovi State Park in Winslow, Arizona

A gang of thug donkeys challenges us to just try passing them without making offerings. Tired of dried grass and some noxious plants that are unpalatable to all life, they held their ground with a menacing look of “Give us carrots or suffer the consequences.” Sorry, donkeys, but we have popcorn, bologna, boiled eggs, granola, and soy milk in the car, not exactly gourmet donkey fare.

Homolovi State Park in Winslow, Arizona

Loud squawking coming from a crevice allowed us to spot a raven’s nest with two juveniles awaiting feeding from mom and dad. But it was the thing that was nearly overlooked that should have first grabbed our attention…

Homolovi State Park in Winslow, Arizona

…the ancient nest remains of what I can only guess is from eagles that once lived in the area. When I asked at the visitor center what this was, I was told that it was the accumulation of debris from the ledge above. Right, a small bit of lifeless rock above somehow collected twigs of a near-uniform size and then deposited them right here at the base of this cliff-face. I’d guess that eagles have been nesting here for centuries and that even before this easily identifiable pile was built, there’s an even older layer that sits below the small number of rocks that fell at some point in the past. Those pieces of sandstone should be able to be aged depending on the amount of patina if any, that exists on them. Golden eagles still live in the area and are of religious significance to the Hopi people. Come to think about it, maybe the person at the visitors center didn’t want to identify exactly what this was in order to stop the curios from dissecting/desecrating this beautiful old nest.

Homolovi State Park in Winslow, Arizona

Eagle food remains.

Homolovi State Park in Winslow, Arizona

Most of the stones that comprised this village closest to the river are long gone as I guess they were the easiest to pilfer for the town down the road that is no longer down said road that is also no longer in existence.

Arizona Highway 87 in Northern Arizona

Well, we know where we’re goin’
But we don’t know where we’ve been
And we know what we’re knowin’
But we can’t say what we’ve seen

And we’re not little children
And we know what we want
And the future is certain
Give us time to work it out

We’re on a road to nowhere
Come on inside
Takin’ that ride to nowhere
We’ll take that ride

Arizona Highway 87 in Northern Arizona

Junior Geologist John is going out on a rim here by taking a WAG (wild-ass guess) about what we are looking at. Could this be a cinder cone that sprouted out of some sandstone hills that eroded all around us? Could these be here because the lava covering protected them from being scraped off the landscape?

Arizona Highway 87 in Northern Arizona

There we were; one minute, we were admiring some horses walking a fence line, and the next…

Somewhere between Indian Route 4 and Route 41 on Hopi Lands in Arizona

…we are driving down a dirt road that disappears on the horizon.

Somewhere between Indian Route 4 and Route 41 on Hopi Lands in Arizona

After following the dirt road for an infinity, we found ourselves beginning to wonder, just how long is infinity?

Somewhere between Indian Route 4 and Route 41 on Hopi Lands in Arizona

Hello, startled young bull; we apologize for interrupting your meal, but do you know where we are? He answers, “Down the road is a freckled horse, but he’s a bit aloof and unlikely to help you, though he certainly knows these lands.” Well, thanks, but I now have to wonder how is it we were able to communicate with a bovine?

Somewhere between Indian Route 4 and Route 41 on Hopi Lands in Arizona

Hey, Mr. Horse with the freckled neck, the startled bull behind you told us you know the way, “I do; just follow me.”

Somewhere between Indian Route 4 and Route 41 on Hopi Lands in Arizona

Well, this just looks like more of the same, only different.

View from Black Mesa, Arizona

After countless miles in the dirt, sand, rock, uphill, and over dale, we immediately recognized the land far away from this overlook. Our road would take us right through the gap in the distance to Tsegi, Arizona.

Burned remains of the Anasazi Inn at Tsegi Canyon near Kayenta, Arizona

The Anasazi Inn that once stood here on Highway 160 is now mostly gone. Fire, looting, and possibly other forces have decimated this plot of land until what remains standing is a shell seen here and a couple of other remnants. The image in this photo is from a collaboration between poet Esther Belin and the photographer of Jetsonorama. On the left of the mural was the following note:

BELIEVE – Afterward we will get up. All together, with the sound of canyon wind howling, red clay masks preserving our faces. Our government clothes tattered, no longer creased with false doctrine. The pressurized steamed language escapes from the pores of our skin. The monogrammed label “Property of U.S. Government” erased from memory. Our teeth, sweat, saliva, fingernails, strands of hair recompose as the daughter of First Man and First Woman. The four support pillars reconfigure the directional mountains. The zenith and nadir bolt lightning into our backbone. The stone knife in our hand slays monsters. The sun rays fasten us snuggly to Nahasdzáán. The rainbow tethers a shield over us. All together, the intertwined winds breathe again. — Esther Belin

My apologies for not being able to maintain the format of the poem. Should you want to learn more about the project it might be found between www.jetsonorama.net, www.justseeds.org, and www.artjounalopen.org.

Burned remains of the Anasazi Inn at Tsegi Canyon near Kayenta, Arizona

Someone out there used to stay at the Anasazi Inn in Tsegi, Arizona. They don’t know yet that it’s been wiped off the map, and maybe that person has some random memories of having stayed there. Might they remember the linoleum floor that was part of the experience? This is nearly all that is left that is still recognizable; in time, it too will be gone, and only the impressions still surviving in brains will be left.

Agathla Peak in Navajo or Spanish: El Capitan south of Monument Valley in Kayenta, Arizona

There should be many things between here and there or here and where we’ve been but often the dearth of things capturable is bigger than the space they fail to fill. Opportunities to cater to desires and experiences unknown to those moving through an environment are lost when the means or knowledge remain in a void as inaccessible as my wishes to discover what I’m missing. Not being Diné nor having the means of meaningful investment, I cannot act as the proxy that would bring forth what lies in the margins of my imagination that would take us beyond the space between.

Agathla Peak in Navajo or Spanish: El Capitan south of Monument Valley in Kayenta, Arizona

At least there’s El Capitan waiting to serve our senses.

U.S. Highway 163 looking towards Monument Valley

And after that, our first glimpse of Monument Valley.

Monument Valley from Forrest Gump Point in Mexican Hat, Utah

Little did I know what I wasn’t seeing here at Forrest Gump Point; I wasn’t seeing the crowds that apparently wait for the weekend before making their pilgrimage.

San Juan River in Mexican Hat, Utah

Passing over the San Juan River is the turning point, and I know we are not far from finding our pangs of hunger satiated by a slab of cow that has been foisted upon a swinging grill where it will cook to perfection over an open fire. Then, in the shadow of Valley of the Gods, we’ll sit roadside as we have many a time prior and enjoy another aspect of perfection as the sun sets and we bask in full stomachs and the knowledge we’ve already arrived and have no further to go than upstairs to survive the Mal de Puerco.

Trip 10 is Here!

Caroline Wise and John Wise leaving Phoenix, Arizona

It all seemed so easy six months ago when I opened that spreadsheet and entered a column of dates on its left side. Those dates were calculated at approximately two weeks apart, other than where I knew we’d be away for longer stretches such as the Mexico vacation and around holidays where we might be able to be gone for 4 to 6 days. Today, we are venturing into one of those 6-day affairs because it is Memorial Day Weekend and the beginning of summer. We know better than to travel on Friday or Monday, so we leave on Thursday afternoon and return Tuesday night.

While I’m excited as always to be going out on the road, I’d be remiss to not admit some laziness nipping at the heels saying, “Take a break and just chill out at home.” We are now in the 100s (38c+) here in Phoenix, Arizona, and the heat suggests that lethargy isn’t a bad thing; my brain says something different.

So, where’s this big adventure taking us here at the end of May? The core of this journey will have us between Monument Valley, Mexican Hat, Valley of the Gods, Bears Ears National Monument, Canyonlands with a return to Horseshoe Canyon, and finally, Flagstaff for some long-neglected sights.

But for now, my time in the coffee shop is coming to an end, and all those prep things I need to finish before hitting the road are yet to be done, as I simply let everything go until the last second. Those things are the tedious chores that, once done over a hundred other times, become a quick jam so Caroline and I can get down the road with most everything we need without worrying too much about anything left neglected at home.

Finished all the things requiring finishing. There was so much running around that I was able to go from a measly 3,500 steps as I dropped Caroline at her office this morning to my requisite minimum of 10,000 steps when I returned to get her. It was 4:00 pm when I arrived and surprise of surprises, she was ready.

Four Peaks off the Beeline Highway in Arizona

Up the Beeline Highway for the 2nd time this month but instead of going east to New Mexico as we did two weeks ago, we’ll head north up to Holbrook before continuing on to Utah tomorrow. Considering the size of tonight’s small town and that it’s Thursday, we checked out our dinner options and fixed on stopping in Payson as it looks like Holbrook rolls up the sidewalks at 8:00 pm. Well, before arriving in Payson, we stopped along the highway at the Mogollon Rim Visitor Center to grab this photo of the desert with Four Peaks in the background.

Near Woods Canyon Lake in Payson, Arizona

Dinner was effectively American diner fare, nothing great, nothing horrible. On these trips into big nature and small towns, it’s a rare day we stumble into a culinary delight as my daughter and I did last year at Piccola Cucina Ox Pasture in Red Lodge, Montana, or as Caroline and I did just two weeks ago at Ancient Ways in Ramah, New Mexico. There have been other little treasures found along the road, but they are few and far between. This doesn’t imply any kind of disappointment, as fine dining and gourmet meals are not what we are searching for when visiting places with grand vistas that act as the greatest food for the eyes. Zoom in to this photo, and to the right, you’ll see some jagged peaks in the far distance; you are looking at the Four Peaks from about 80 miles away (128km).

Near Heber, Arizona on Highway 377

It’s about 8:00 pm when we turn left off of Highway 277 and join Highway 377 which will bring us right into Holbrook in about half an hour. Like so many drives out of Phoenix intended to position us somewhere further up the road, it not only shortens our drive the following day, we hope to miss the majority of traffic that is escaping our sprawling city. With only 3.5 hours left in drive time, if we were to head directly to our destination of Mexican Hat, Utah, we’d have plenty of time to wander over the Hopi and Navajo Lands.

Extra tidbits: Caroline was knitting the second sock of a new pair she’s making me, and just before sunset, I asked her to read some Proust to us in our ongoing efforts to tackle In Search of Lost Time. We are currently about 480,000 into the 1.2 million words that comprise this French novel.

Wigwam Motel in Holbrook, Arizona

It’s dark, and most of the lights are off here at the Wigwam Motel after we checked in, so this was the best photo I was able to capture, though I shot about 20 others. We’re now set up in our tiny room, with a tiny toilet, tiny desk, and too fat of pillows but that’s all great as we are once again sleeping in a wigwam on old Route 66.

Inside our room at the Wigwam Motel in Holbrook, Arizona

They are not fancy, but they are a cultural luxury, and as one of only three of the original Wigwam Villages still in existence, it’s an experience that is absolutely worth repeating. Come to think of it, maybe it’s time for us to stay in Village #7 over in Rialto/San Bernardino, California, during our upcoming July visit. This location in Arizona was known as Village #6, and the other remaining property is in Cave City, Kentucky.

Death Mystery

Death or Dismemberment Sign

Woken by the terror of being exposed for a transgression I might have committed 40 years ago, that’s how this dream ended, or did it? The interesting thing about this brain in my head is that although my waking mind might want to escape a nightmare, the brain has other ideas and insists on continuing the journey of working out what it was processing prior to me stepping out of bed and finding enough wakefulness that returning to the stress of what was being dreamt is over.

I was racing through the panic that something that should remain hidden was going to be uncovered, and somehow, I knew that I’d be implicated in what was unfolding. A mysterious round spot of concrete floor had drawn the attention of new residents of my childhood home, “What is underneath that?” Why should I even know, let alone feel some sense of guilt, about this discovery? Maybe it’s because my brain had already foreshadowed that I’d be the likely suspect due to circumstances that would become evident once things were revealed.

So, with ugly anticipation, I stood by in fear as the thick slab of concrete was broken up. Once a small corner has been opened and I’m recognizing what is about to be revealed, a skeleton is coming into view. Immediately, I recognize the clothes and am drawn into dread that the signs are pointing right at me: I killed this woman and buried her in my childhood backyard. I need to escape and run away from the universe that is about to close in on me! At this moment, I wake up, hoping that a trip to the bathroom will put sufficient distance between me and this horror so that I won’t have to continue the experience. I was wrong.

Who was the woman buried under this slab that has entombed her for the past four decades? Why and how would I have murdered someone and then buried her at the very home in which I had grown up instead of somewhere far away? Dreams move in peculiar ways, and before law enforcement is involved, I watch a news broadcast that shows an old photograph from 40 years ago featuring the woman and the unidentified man with whom she was last seen; it was me. I knew that there’d be no escape.

There must be some hint of memory of how this happened and why, but I can’t find anything. Surely, I’m doomed, and I’m trapped in this restless dream I desperately want to end. First, though, I must figure out why and how I’m implicated in something I don’t seem to know anything about. My conclusion is that based on me in the photo, I must have been between 18 and 20. The first clue explaining things comes to mind: these were the years I was in the throes of drug and alcohol abuse when, more than a few times, I had walked through days in total blackouts. Okay, I can’t find a memory of this, as I was likely so high or drunk that the situation was wiped from my mind.

The next clue that knocked at these non-obvious memories was, “Why did I bury her at my childhood home?” Hey, wait, I wasn’t even living there during the worst of my self-abuse. Be that as it may, maybe I did it because I couldn’t deal with the body at the house I was sharing or the apartment I would take later. So, I’m still likely going to be seen as guilty of the crime.

Cracking a hole into the back patio and then refilling it with fresh concrete would have never flown with my control freak father. He would have investigated that in a heartbeat. Just then, I remember that my father had gone to court due to charges regarding the allegation he’d molested a family member, and then years after, another sibling told me that our father had molested her as well. The cascade opened up; my stepmother once started to complain to me about my father. They’d been divorced some time and she was about to tell me about something that she instantly had regrets about even alluding to, and stopped herself short from sharing that memory. What could it have been?

It’s dawning on me that all fingers point to him, that maybe I’d been inebriated, and he offered to give a ride home to the woman with whom I had been hanging out. This would make sense as only he could have allowed the concrete replacement. Maybe he really did have a predilection for sexually aggressing women and girls, and my desire to see my father as a hero, albeit an angry one, had clouded my vision of the monster he really was.

As I worked this out in my sleepy half-awake state of tossing and turning, the gripping anxiety started to relent to my relief that nothing of the events of those days were in my head as the situation was not of my making.

Impossible Episteme

Cactus Flower in Phoenix, Arizona

Other than the awareness of my ultimate demise, I have no episteme (certain knowledge) of nearly anything. Not knowing allows me to harness the fluctuating effort to learn and, in turn, find surprise after gathering hints that I might be starting to know something. When people stumble into knowledge and ascribe the progress to harnessing reality and demonstrating it through the function of the machine or device, we move further away from our place within the biome to somewhere within our egos. We, humans, have reveled in our sense of superiority while taking the ideas of balance between arrogance and blunt stupidity with a grain of sand. With our determination to understand, we move closer to defining the parameters of reality and how our species can wrest control of that direction from confusion as if that were truly possible. We are not interested in symbiosis; we require enslavement to our will and are afraid of losing control.

I refuse to have lived without living a life worth respecting. I am not an animal in a machine but a creature manifesting love out of complex pattern recognition. I am not a homogenous object; I have all the potential of a dynamic individual flirting with self-awareness. I am not so much random as I try to be deterministic. I am not a thing assembled by media constructs as much as I’m taking form from my relationship with nature, discovery, and deep curiosity.

And God said unto the people of this world, “You must repair your ways and leave the earth as a healthy ecosystem for the rest of this planet’s life. As the failed children of my son, you have one last opportunity to atone for the vulgarity of your arrogance; sadly, I do not have faith that, as my creation, you have any collective sense among you.”

Recently, I experienced a death long in coming, one that surprised me due to the perceived maturity I’d reached; on that day, philosophy presented its corpse. I was shocked as I thought it had a long life ahead of it, and although I couldn’t find those who’d carry its body forward, I believed it was simply me not looking hard enough for signs of life. Nope, it died silently some time ago; I can’t say precisely when, but it is gone. In its stead, a relationship with hopes for wisdom is rising, but it’s an infant nearly without form, or maybe it’s a seed yet to materialize as matter. Maybe it’s only a shapeless amorphous ghost of a fetus waiting to be slung onto the cross, into the wind, or on a trajectory towards the heavens. The potential of this new body is only hinted at by loose ideas, fragments of letters, and still-assembling thoughts.

If writing emerges from seeing that death is on our horizon and reading arrives from our effort to deny that ultimate fate, exactly how then does the narrative keep death at bay? How does the writer execute a story that would lay bare the need to walk into the fire in order for the reader to embrace the opportunity to learn of what arises from the ashes of their own little death? The fear of the unknown encourages people to cling to the murky light barely visible in the fog of ignorance, as becoming alien (enlightened) to those familiar to us is as frightening as joining the league of zombies eating their own. The story thus functions as Kafka’s axe, able to chop into the frozen sea, freeing us from our grave.

Words emerge from the darkness of my skull in which they were stored temporarily, locked in the wet, inky mass of my mind before taking form in an instant and being directed to my hand, where they’ll convey messages to me after finding shape and sequence on paper or screen. I read these strings of hopeful meaning, which, if I’m fortunate, will carry some small amount of poignancy, but more often than not, I discover stumbling blocks in my intention to share inspired clarity. Sorting the myriad of potential images that exist in the near infinity of an evolving mind, hoping to direct relevant meaning into reality, is a daunting exercise. It is easy to fail to recognize the impossibility of finding sense out of the mayhem, but that’s just what we must do. So I back up and correct the lines/places I’ve been and adjust the future I’m trying to navigate in anticipation of those who will one day read the thoughts of someone unknowable. I leave these fragments as a trail into what has fed me though even I cannot identify where the simplest of words or their basic forms populating this head were first encountered.

When I look into the sea, I’m looking into the souls of my wife and me. Out there in the tumult of the liquid expanse, chaos holds the promise of washing over everything and consuming the entirety of all that has ever been. Our souls would be wise to take inspiration from that watery realm as this is what time is doing to us every moment of our lives. Of those around me, I fear their complacency to be but a leaf falling to the dirt below, unaware of the sky, stars, sea monsters, the abyss, or the fragility of their current situation. So, we thrust ourselves into the waves, splashing in anticipation of encountering a kind of bliss and an unfolding story being shared with the fish out of water.

Lucia di Lammermoor – Intermission

Intermission during Lucia di Lammermoor at AMC Theater Desert Ridge in Phoenix, Arizona

As not every weekend will see us traveling outside of Phoenix, we must find the things nearby that will lend new memories to our lives. Echoing out of May 1997 was our first encounter with Lucia di Lammermoor that arrived via a blue alien diva in the movie 5th Element. Twenty-five years later we are seeing a modern adaptation of Gaetano Donizetti’s and Salvadore Cammarano’s opera originally based on a book by Sir Walter Scott titled, The Bride of Lammermoor. The first part of this modern interpretation following Lucy Ashton (Lucia) and her struggles in 17th century Scotland first performed in 1835 in Italy has now been brought forward to America’s rustbelt in a broken impoverished community with a gangster problem.

Fire Shut Up In My Bones by jazz musician Terence Blanchard was my first encounter with truly contemporary opera and this was my second experience with opera seen through a setting that modern viewers might easier relate to. Just as with the previous simulcast from The Metropolitan Opera of Fire Shut Up In My Bones, I wanted to dislike the very idea of dragging me out of the history of what the original was portraying. Like that other opera, this version of Lucia di Lammermoor took a moment to find its way through my expectations.

Props to The Metropolitan Opera for switching things up and experimenting with greater diversity, mixed media, and betting on artists that might bring new fans into opera. This must surely be an epic undertaking worthy of the greatest operatic stories told upon their very stage. Our next visit to a Met simulcast is just 2 weeks away with a performance of Hamlet.

Heart of Afghanistan

Heart of Afghanistan performing at the Musical Instrument Museum in Phoenix, Arizona

Nearly at the last minute, Caroline noticed that ticket sales for Heart of Afghanistan performing at the Musical Instrument Museum were weak and asked me about going. In our efforts to support the kinds of music we’d like to see more of at the MIM, I went ahead and bought us a couple of tickets. The unfamiliar songs were reminiscent of pieces we’ve heard from India, Bollywood specifically, but as avenues into Afghan music are pretty much non-existent in America, aside from specifically tracking them down on the internet, neither Caroline nor I had any real familiarity with the music from Afghanistan.

The photos in the background behind the artists show Ahmad Zahir, the Elvis Presley of Afghanistan; the group performed a couple of his most loved songs. In the rows behind us sat people that felt talking would make a good accompaniment to what we were listening to coming from the stage. Sadly, we didn’t share their enthusiasm for narration and moved away from our ideal seats to the side. Two more songs into the evening’s entertainment and we had to bow out. Well at least we’d been able to mostly enjoy an hour of the concert but to the people sitting in the 5th row who couldn’t silence yourselves, you owe us the $98 we paid to be present.

[This concert was organized by American Voices, a non-profit dedicated to “enrich the lives of people of all ages and ethnic backgrounds through cross-cultural and educational engagement.” I hope that there will be continued collaboration between American Voices and the MIM, resulting in more concerts like this one. Caroline]