NAB – Las Vegas Day 2

Andrew Kramer of Video Copilot at NAB in Las Vegas, Nevada

Note: This post arrives nearly a dozen years after the events contained due to gaps happening at various times during my blogging life. In an effort to repair my omissions, I turn to my archive of photos and try to add some written relevance to the images. It is late May 2023, as I get to this.

In the past few years, if you were between 12 and 16 years old and learning about video editing and compositing so you could become YouTube famous, you were likely a subscriber of VideoCopilot in addition to Corridor Digital, Freddy Wong, and Film Riot. These guys have been paving the way for young and aspiring filmmakers. Listening to Andrew today, one couldn’t help but sense that he’s become a bit of a celebrity in his own right.

Rodney Charters, Philip Bloom, and Vincent Laforet at NAB in Las Vegas, Nevada

From left to right: Rodney Charters, cinematographer for shows such as 24 and Roswell, plus a bunch of movies; next up is British filmmaker, Philip Bloom, one of the top evangelists for Canon cameras and the person who produced the digital short Skywalker Ranch, for George Lucas to show him where the state of the art was in August 2010. And finally, on the far right is Vincent Laforet, who most recently produced a DSLR film titled Mobius that was shown to Martin Scorsese, Ron Howard, Robert Rodriguez, and JJ Abrams to showcase the capabilities of Canon’s offerings. The panel talked about the options that are opening up for digital filmmakers.

John Wise at the premiere of Timescapes at NAB in Las Vegas, Nevada

Best seat in the house for the premiere screening of Tom Lowe’s hour-long film Timescapes, featuring some of the most amazing time-lapse images ever captured. Tom has worked with directors Terrence Malick (Tree of Life, etc.) and Godfrey Reggio (Koyaanisqatsi: “Life Out of Balance” and others). The movie was worth every bit of hype and anticipation I had to endure in the months leading up to this first showing. This past couple of days have been incredibly inspiring, if only I could return to focusing on video again.

NAB – Las Vegas Day 1

Mary Poplin of Imagineer Systems at NAB in Las Vegas, Nevada

Note: This post arrives nearly a dozen years after the events contained due to gaps happening at various times during my blogging life. In an effort to repair my omissions, I turn to my archive of photos and try to add some written relevance to the images. It is late May 2023, as I get to this.

Arrived in Las Vegas just this morning to attend my first National Association of Broadcasters (NAB) show, and first up was the opportunity to meet Mary Poplin of Imagineer Systems. This is the company that makes the amazing tracking software called Mocha. Mary is the public face of Mocha as she’s a demo/tutorial whiz that could have anyone falling in love with this rather complex software that sits within Adobe After Effects for me. Mary’s film credits include work on The Kite Runner, Avatar: The Last Airbender, and more.

Cinematographer Shane Hurlbut at NAB in Las Vegas, Nevada

I had to take in the talk from Shane Hurlbut, the cinematographer, as for the past couple of years, I’ve seen more than a few things from him advocating for using Canon DSLRs for filmmaking. When I was a kid, the three things I wanted to do as an adult were writing, filmmaking, and photography. Working in a factory, being a soldier in the U.S. Army, and designing record cover art for techno music in Germany was never really in my dreams, though each offered me something important. Up until the time Caroline and I left for our Grand Canyon rafting adventure, I was deep in developing the skills to make short films using my DSLR, and while I’d been derailed for a year and a half as I worked relentlessly on my book, this reconnection to one of my other passions was a breath of fresh air. Though Shane has many film credits to his name, being shouted at by Christian Bale during a meltdown on the set of Terminator Salvation might be his most notable moment for the general public.

Director of Photography Tom Guilmette at NAB in Las Vegas, Nevada

The faces I’m sharing from the two days in Vegas have become quite familiar to me as they are sources of learning for me. This is Tom Guilmette, whose day job is director of photography, but on the side, he’s made a ton of demos and tutorials inspiring thousands of aspiring filmmakers.

Over the course of the day, I checked out gear I’d never be able to afford, looked into software the pros use, and drooled over all the wonderful tools on display. As for what I did after the show, I have no idea as there were no notes kept for this quick two-day trip to Sin City.

Shearing at Chile Acres

Sheering sheep at Chile Acres in Tonopah, Arizona

Caroline and I went out to Tonopah, Arizona today, it’s shearing time for the sheep at Chile Acres. Following Caroline sharing the joys of working with wool with Celia (co-owner of Chile Acres with Jimmy Peterson – her husband) a new animal found its way on the farm – sheep. Much of the wool is sold within minutes of it coming off the sheep to the dozen or so fellow fiber freaks who’ve driven out here just for this special event. What’s left will find its way into being made into felted objects, some will be spun into yarn and sold at the Downtown Phoenix Public Market where Jimmy and Celia sell their various farm products. Caroline and I simply leave with smiles.

Verde Railroad With Jutta

Oak Creek Canyon, Arizona

Well, here we are witnessing incredible southwestern beauty, but it has sat on a hard drive for ten years, languishing as its bits grew dusty. In my race to excavate things lost and buried from our world of experiences, I grab these memories from our past and bring them forward onto my blog, where they have a better chance of seeing the light of day or beaming their light into our eyeballs at some random time in the future. I’m writing this on February 26, 2022, with absolutely no notes to stoke the memory about particular details, but no matter, as better that something’s here instead of nothing.

Oak Creek Canyon, Arizona

At first glance at these old photos, I couldn’t figure out the logic of heading up to Sedona and Oak Creek Canyon, although seeing the landscape covered in snow is a serious great reason how’d we fit this in before the train ride on the Verde Canyon Railroad in Clarkdale?

Oak Creek Canyon, Arizona

I figured it out by visiting their website, which shows that here in the winter, the train doesn’t depart until 1:00 in the afternoon. That set things up perfectly to drive a little further north for some snowy tourism in our Red Rock Canyon area.

Oak Creek Canyon, Arizona

True that my mother-in-law visits Arizona from Germany at this time of year to avoid the bitter cold of Frankfurt, not that it’s all that bitter there, but escaping the grey days is a luxury. Seeing snow in this area of Arizona is also a luxury because that certainly doesn’t occur every year.

On the Verde Canyon Railroad in Arizona

Not long after our train left the depot we were passing this old Sinagua Indian Ruin and were already traveling into the past.

Caroline Wise and Jutta Engelhardt on the Verde Canyon Railroad in Arizona

If Jutta had thought we’d be in the warm comfort of one of the cars with seats and hot coffee, she was wrong, as it’s from out here in the open air that the sights appear closer.

On the Verde Canyon Railroad in Arizona

Random splashes of sunlight all morning are giving us hope that the overcast gray skies might open wider, lending more dramatic views to the already incredible landscape.

On the Verde Canyon Railroad in Arizona

We’ll only be out here about 3.5 hours but could easily see enjoying a multi-day scenic meander across any part of America if only our rail lines didn’t have to compete with commercial traffic and land in big cities.

On the Verde Canyon Railroad in Arizona

Intimate and slow, just the way we enjoy life.

Caroline Wise and Jutta Engelhardt on the Verde Canyon Railroad in Arizona

Bundled up from head to toe, Jutta was hanging tough with us outside in the cattle car.

On the Verde Canyon Railroad in Arizona

Haven’t I seen these types of rock layers in the Grand Canyon before?

On the Verde Canyon Railroad in Arizona

Approaching our turnaround point.

On the Verde Canyon Railroad in Arizona

The old rail stop in Perkinsville, Arizona, is effectively the end of the line for us, except we are not being dropped off here to find our way back; the train will reverse and return us to Clarkdale.

On the Verde Canyon Railroad in Arizona

It may not be as grand as the giant canyon north of here, but that doesn’t mean it’s not worth the visit. Everyone who lives in Arizona should take this scenic half-day trek into a corner of Arizona where no paved roads go.

On the Verde Canyon Railroad in Arizona

Our route hugs the Verde River for the majority of our time out here.

On the Verde Canyon Railroad in Arizona

No matter if water isn’t always flowing in the river bed, the canyon we are traveling through is always beautiful.

On the Verde Canyon Railroad in Arizona

More of that beloved sun, which, when it spills onto the landscape, changes the entire view of things so that the way back seemed like an entirely different place.

On the Verde Canyon Railroad in Arizona

Then, seeing this stuff, how’d I miss the ruins of some mining operation that has been shored up so the train can continue its run?

View from Jerome, Arizona

The train ride is done, and we are hungry so what better to do than take the short 10-minute drive over to the old mining town of Jerome for some hot food?

Jutta Engelhardt and Caroline Wise in Jerome, Arizona

And here we are at the Quince Grill & Cantina for a Mexican-inspired dinner and enough alcohol that Jutta would be out front after our meal singing an old German song. Another great day out on the trail of adventure.

Los Angeles with Jutta – Day 3

Jutta Engelhardt and Caroline Wise at the San Pedro Fish Market in California

San Pedro Fish Market for a late breakfast of a giant fish and mega tray of fajita-style potatoes, onions, and peppers sounded great to Caroline and me; maybe a little unorthodox for my mother-in-law, but she’s a good sport, and what could she do anyway as her home is nearly 6,000 miles away and she is traveling in our car.

San Pedro, California

Plus, how many times in our lives do we get to sit in a dining area where this is the view on a winter day?

Jutta Engelhardt at the San Pedro Fish Market in California

The fish was picked clean aside from the eyeballs as for the veggies, we gave them our best try but were ultimately defeated.

View from Griffith Observatory in Los Angeles, California

Today’s view is courtesy of the incredible efforts to combat smog in the Los Angeles basin and California in general. Out in the middle of this photo is a sliver of blue between the dark land and a silver low horizon of the sky, that’s the Pacific Ocean. More than likely, just to the right and out of view is San Pedro, where we were having breakfast, which is about 30 miles away or probably a couple of hours by car on a weekday.

Griffith Observatory in Los Angeles, California

Here we are at the Griffith Park Observatory in the Hollywood Hills, and strangely enough, after visiting Los Angeles off and on over the past 21 years, this is the first time Caroline and I have made it up here. With this kind of visibility and weather, we couldn’t have picked a better day.

Griffith Observatory in Los Angeles, California

A Foucault Pendulum built back in 1935 is here, but I have to admit that I hope Caroline is willing to add something or other to the description of what exactly makes it a Foucault Pendulum. [In 1851, French physicist Leon Foucault used his pendulum to prove that the Earth rotates. His pendulum shows that when you have a really tall pendulum, it doesn’t just swing back and forth on the same plane, but the plane keeps shifting, and that is caused by the Earth’s rotation and what is called the Coriolis effect. Often, these pendulums are installed in science museums over a basin with flat sand so that the bob’s swings can be traced. – Caroline]

Griffith Observatory in Los Angeles, California

If you’ve never seen a Tesla Coil in operation, this is the place to witness it with your own eyes. When it was donated to the Observatory in 1937, there were a number of parts missing, but it was restored with the help of Kenneth Strickfaden, a Hollywood special FX artist who’d worked on the original Frankenstein with Boris Karloff, the Wizard of Oz, and his last film Young Frankenstein.

Griffith Observatory in Los Angeles, California

I don’t think I’m wrong about this educated guess, but that should be the San Gabriel Mountains in the distance, with Mt. Wilson being the highest peak.

View from Griffith Observatory in Los Angeles, California

Maybe a little redundant, considering I posted another photo above that included downtown Los Angeles, but I’m amazed by the view that I never knew growing up out here in the 70s.

Jutta Engelhardt and Caroline Wise at Griffith Observatory in Los Angeles, California

Just hanging out, trying to walk off breakfast so we can grab an early dinner on the way back to Phoenix. Jutta was highly intrigued by the observatory since it is featured in the film “Rebel Without a Cause” with James Dean (whom she had a crush on back in the day).

Hollywood sign in California

Will I ever again have the opportunity to see the Hollywood sign with such clarity?

Yoma Myanmar Restaurant in Monterey Park, California

An empty plate is not the most compelling image. Heck, maybe none of the photos I share here are truly compelling, but I’m not posting to impress others; I’m posting to stoke the distant memories of those who experienced these days, that being Caroline and myself. From that one piece of oily green vegetable matter above the fork, I can be certain that this plate held a portion of Laphet Thoke, also known as Burmese fermented green tea salad. This place called Yoma Myanmar in Monterey Park was our food stop on our way home.