Gore

Puppy

Maybe this is a horrible admission, but I’m obviously not alone in this morbid curiosity that leads to today’s blog post: I watch some of the worst gore videos there are on the internet.

I hate to admit this publicly, as I’m certain that a majority of people would wonder out loud how in the world I can stomach some of the atrocities I’ve seen. The reason this is a topic is that it’s dawned on me how truly perverse these gore videos really are, and they are not made more so because I or anyone else looks at them. Morbid curiosity has always been a part of the human condition, though technology has brought the ability to witness it to extraordinarily convenient levels.

One could argue that by consuming the most atrocious gore content, those consumers are fueling the suppliers of the carnage, but that would be constructing a straw man fallacy. There’s something far more interesting going on in our world, and it’s not that some people are watching beheadings, dismemberments, people on fire, or accident victims gasping their last breaths.

Consider for a moment that all around our earth, when these events are happening, there are people at the ready, armed with cameras in their phones, recording this stuff. Not just one person typically, but multiple people have their phones out and are getting up close to capture the gruesome details. At least one of those capturing the ghastly scene obviously has an inkling of where to share this footage because it seems like nothing is held back.

What’s going on in their minds that when, upon finding themselves in a situation where one might think “normal people” would recoil at the horror, these spontaneous amateur journalists move in close to find intimacy in someone else’s pain or death? It’s not like YouTube is an avenue for this kind of footage; one must have some idea that the file now on their phone has some value on the internet.

One could argue that the most wretched people are moving about, lying in wait for this kind of thing to happen so they can run to the location of the slaughter and grab it for weirdos like me who are going to watch it on one of the sites that host it allowing the purveyors of this stuff to make a ton of money from their porno adverts. Regarding the porno advertisements, nobody should be surprised by this, as would anyone expect ads from Nike or Coke?

There is no way that those recording this stuff make a habit of chasing gore; they must be average people who just so happen to be in the “right” place at the right time. Just ask yourself how often you have been at an accident scene where exploded bowels were strewn halfway across the highway. Apparently, those first to arrive where fate snuffed out people’s lives are immediately struck with the idea that someone probably really needs to see the carnage.

Maybe there are simply too many complicit people in need of witnessing such tragic sights and just as many who are ready to whip out a phone and test their mettle so they can gross out some other people.

I checked out some of the most notorious websites that deal with the worst of the worst, and it turns out that many of them are quite popular, ranking in the top 15,000 global websites. Consider that there are 1.74 billion websites worldwide and that the most horrible gore and abusive porn rankings put them above the next 1,739,985,000 websites. Another way of seeing this is that one of the gore sites I would be loathe to share a link to is about as popular as Safeway.com, while one of the fringe porn sites that might make you cry is twice as popular as the Starbucks website.

Who, then, is making these sites so popular? It’s obviously not just me, nor is it that weirdo in some dank basement you might want to believe is visiting these places? I posit that it is a majority of those everyday people around you that you’d never suspect of wanting to see a man having his genitals eaten by a dog controlled by a drug cartel seeking revenge. Yeah, that exists.

As I was describing this to the person who triggered me to explain my interest today, it got me thinking about an aspect of our evolution that might have led to this. For how long were humans relegated to eating any animal they would stumble upon? Do we want to believe that meat has always been neatly packaged? How often, due to lack of tools and a fresh kill, have we had to compromise manners and risk of illness to gobble up whatever tragedy of rotting flesh our meal might happen to be?

Going down this line of thinking, it was quickly obvious that in our ancestral memory (if something like that exists) are generations after generations of those who, without proper knives or even sharpened stones, would use teeth and fingers to tear apart and gouge at the creature before them. Now, slow down and give this some thought: you are hungry, maybe even on the verge of starving; what is the thing you can eat the fastest on an animal? You might excavate the eyes, chew out its tongue, or use teeth and hands to tear at the soft parts of the belly, breasts, or genitalia. Yeah, I know this sounds gross to modern humans who’ve grown up in an age of sterilization and prepackaged everything, but that’s not how life has been for the majority of history.

Our reliance on factory slaughterhouses, refrigeration, and clear plastic wrap that removes the image of death from our meat has rapidly seduced us away from the brutal reality of what it is to prepare another creature’s body to meet our needs for food. In the not-too-distant past, it must have been relatively common to gather around a carcass for the communal process of dismembering it. Would any of us think this was not a bloody process?

Now I start to ask myself, how does this correlate to our current place in a culture where just about everyone is aware of the Starbucks brand and that an “obscure” gore site is more popular than that iconic coffee company? So, how could it possibly be considered obscure? It starts to appear that the truth is it might be relatively normal.

Morbid curiosity appears to satisfy a kind of inherent blood lust that would have been present when people are about to enjoy the bounty of finding satiety and preserving their kind. What kind of elation would have been present in this celebration of survival at the expense of the beast about to be disemboweled and dismembered? I posit that there is a reward factor going on and that in our civil, clean, and relatively peaceful society, our deeply buried lust for carnage is not met, and so we turn to horror movies, tales of mass murderers, violent video games, and most recently to internet sites that are publishing videos from around our globe by a citizens brigade who appear eager to have others witness the bloodletting.

C is for Coincidence

Screencap of Lumière brothers’ 1896 movie “Arrival of a Train At La Ciotat”

Yesterday one of the most bizarre coincidences in the entirety of my life occurred. Mid-afternoon, while scanning my social media, I came to a link about a video and photo upscaling software that is based on AI called Gigapixel AI. The article leads with old film footage from the Lumière brothers’ 1896 movie “Arrival of a Train At La Ciotat.” It then goes on to give other examples of how this software has improved other types of images. I thought nothing more of any of this and continued on with my day.

Later in the evening, I was going through some of my books, looking for what I might take with me on an upcoming extended trip, and was considering Cyclonopedia by Reza Negarestani and Fanged Noumena by Nick Land. The problem was that I couldn’t find the Negarestani book as the title was escaping me, so I went to Amazon to look up my old order as I also hadn’t memorized the author’s name. Along with the book’s information, I saw some of the suggestions that Amazon makes, including The Melancholy of Resistance by Laszlo Krasznahorkai. Reading the description, I knew I was very familiar with the story. The line in the description that talked about a circus putting the stuffed body of a whale on display in a small Hungarian town was the clue. This had to be related to Bela Tarr’s film titled Werckmeister Harmonies.

After checking on Bela Tarr’s career, I got to wondering about what Srđan Spasojević has been up to since making his controversial movie A Serbian Film. Two years after his rise to infamy, he directed a short horror film that was included in a compilation of shorts titled The ABCs of Death. The premise of The ABCs of Death was that 26 directors were assigned a letter of the alphabet each and then made a short film based on their letter assignment. Srđan was given the letter R, and I found that the compilation was up on Amazon Prime for rent, so I grabbed it to watch immediately.

At an hour and fifteen minutes into the film moving alphabetically, we come to “R is for Removed,” and not 15 seconds into this segment, the camera cuts to a TV screen which is displaying an old black & white film clip that looks familiar. OMG, that’s Arrival of a Train At La Ciotat by the Lumière brothers!

Just six hours before, I watched this 124-year-old film clip of the train pulling into the station that had been used to demonstrate some new software, and now, shortly before I’m about to go to bed in some random movie is the footage being used by an obscure director in a b-movie that I just happened to actually pay for. Then you have to consider that I only rent a few films a year these days. So what are the infinitesimally small odds of something like this happening?

I’m genuinely perplexed by this peculiar coincidence and feel like the universe somehow nudged me, but for what reason or how to interpret this, I have no idea.

Don’t Play With My Clock

Early morning in Phoenix, Arizona

I live in Arizona, where we do not observe Daylight Savings Time; the Navajo Nation is the exception. I’ve been living and growing older in this state for the past 25 years. Here, at 56 years old, I can tell how my sense of things changes with the natural rhythm of the clock, even though any obvious seasonal changes are relatively minor here in the desert. Usually, in November, I start to become more acutely aware that the days are getting shorter, and initially, there’s a slight sense of loss that has me asking myself if I did everything I wanted to do during those months when my days were long. Then, only a few months later, I became aware of an afternoon brightness that hinted to my internal clock that the short days of winter were running out.

There’s a melancholy I feel over these lengthening days as it dawns on me again that I’m transitioning through another passing season. I ask myself, did I best utilize my long nights to accomplish those things that are best suited for darkness? As I mourn the long nights fading away, I can’t yet appreciate the longer days that are ahead. I do start becoming more aware of the need to make plans of how we’ll best use those 16 to 18 hours a day of sunlight that will be upon us. If we’re not careful, they’ll pass without our participation and a season will have been lost.

So what happens to someone who abruptly has to change the clock an entire hour forward or back? I can’t imagine how unsettling this is to one’s senses as I rather enjoy my circadian rhythm, having the luxury of transitioning with the seasons, in tune with the spin of the earth that dictates when the sun rises and sets. Take this photo above that I shot at about 5:30 in the morning: two weeks ago, the eastern sky was pitch black, while this morning, it’s a dark blue. In a couple of weeks, I suspect the glow of dawn will start coming on strong, but if it were time to slam the clock forward, I would simply be catapulted from a walk at night one day to walk in daylight the very next day.

Being in rhythm instead of having to suddenly leapfrog forward or back feels right as I’m getting older. When I was younger, I didn’t so much notice it as much as I muscled through the transition, but I was also a much more emotionally volatile, impetuous young man. Today, as I become so fully aware of how I transition with time, I have to say I feel it’s a luxury to allow the senses to subtly move with the natural cycle of time and that humanity will have to realize and change this archaic yet modern collective forcing of a population to abandon what will likely prove to be an important cycle we are supposed to be well-tuned to.

Discomfort

Wupatki National Monument in Arizona

Living somewhere doesn’t always make sense to those who weren’t on hand when the decision was made to do what was done. Maybe it was an economic decision or a defensive one; maybe it was proximity or distance that was desired. At some point, though, it is time to move on. The various people who took up residence here at Wupatki, starting back around 500 A.D., stayed for about 700 years before abandoning the site.

A young man I met a couple of years ago as a neighbor is moving on from Phoenix and heading back to his roots in rural Indiana with the hopes of finding something he has so far failed to discover. Originally a student at a local trade school, he soon figured out that he wouldn’t be as good a fit as he’d hoped, so he took up an apartment maintenance position where we live. Not long after trying his hand at this endeavor, he found he didn’t like it either, and so he quit. After two years in Arizona, it was time to try something new or old, depending on one’s perspective.

Grand Canyon National Park in Arizona

Knowing that Chris had been in Phoenix for two years and had never gotten out of the city, I couldn’t let it stand that come February 1st, when he flies out, he would have never been to the Grand Canyon, so I asked him if I could drag him up north.

With only two weeks before he left, I didn’t have much time to plan for a better date, so it was now or never. The weather forecast suggested there were only two days over the next ten that predicted partly cloudy weather, which looked the best we’d get, so I chose the closest day, that being today, Thursday, January 16, 2020.

Chris Elliot at Grand Canyon National Park in Arizona

If the snow on the ground wasn’t too bad, my plan was to take him on a short hike on the South Kaibab Trail out to Cedar Ridge. As luck would have it for Chris, the snow was pretty heavy, but there was a more important factor at work. Chris has some serious vertigo that stops him from going up to the third floor of the Desert View Watchtower. I hadn’t picked up on this outside when he didn’t get very close to the railing at the overlook.

I tried to get him to the top of the Watchtower, offering him assurance, but he let me know that it simply couldn’t happen as he was seriously uncomfortable. I knew at this point that regardless of the state of the trail, there was no way this guy was going to be able to stomach being out on the ledge of an unprotected narrow pathway cut out of the rocky cliffside we’d be hugging on the mile and a half walk out to the overlook.

Grand Canyon National Park in Arizona

Chris was overwhelmed by the scale of the Grand Canyon, which was exceeding his expectations. He flinched more than once, even while we were driving when he caught sight of the chasm just beyond a couple of trees and a cliffside.

Grand Canyon National Park in Arizona

Reaching Grand Canyon Village and El Tovar Hotel, in particular, it was time to get something to eat. As today was my treat and Chris, my guest, I thought I’d take him somewhere relatively nice, and the El Tovar dining room meets that criterion. Little did I know that this, too, was going to be greeted with discomfort. He’d never eaten in such a nice place and was wondering when he’d be asked to leave.

Some background is probably in order, and hopefully, I don’t cross the line of information that would intrude on anybody’s privacy, but this seriously nice and generous guy has been traveling a difficult road of uncertainty and his own fair share of relative bad luck. From estranged family members, homelessness, a short stint in the military, and some time in the Phoenix area that didn’t bring him to finding himself, he’s once again going to be looking for that thing that’s been elusive to his search.

Chris Elliot at Grand Canyon National Park in Arizona

His own generosity was gifted to three fellow veterans who were also in need by sharing his apartment with them. His hope was that with someone else caring about their welfare, they’d recognize the gesture and that it would help them escape their own personal discomfort of trying to exist in the chasm of what can be an isolating American life where the economy is the space between, and community is like the snow on the ground: cold and soon thin or gone. Little seems to have come from his efforts, as it appears they benefited at his expense.

Now, without a penny to his name but in possession of a plane ticket, Chris will leave Arizona, having seen one of the seven wonders of the earth. His destination is home. It leaves people who know him asking why and trying to warn him about the dangers of going home where the ruin of what was will likely be in a greater state of decay. The distance of time doesn’t close the gap or work to create bridges to places that didn’t exist in the first place, but as a bit of a fatalist, he doesn’t know what else to do.

Chris is approaching 30 years old and is still wandering somewhere deep within, unable to see real options ahead. It seems that the distance to his other side is on a scale with the Grand Canyon. His vertigo and discomfort with situations right before him have him taking a step back to the relative comfort of what he knows. I sure hope his next move is into a future that helps him find what he’s looking for.

Poop Hypocrisy

Poop

Would this poop be more palatable if I told you it wasn’t human? Would it be acceptable to poop on the sidewalk if I told you the dog that created it is homeless? What exactly makes human poop seriously gross compared to the deuce dropped by a shepherd, labrador, or mongrel? Oh, maybe it’s that you picture in your mind the deplorable human being you already see as a form of excrement that left some of his malodorous waste in the same place? If it is some tongue-lolling cute dog with a wagging tail, the shit that falls from its ass is somehow nicer, friendlier, not so threatening, huh?

Shit is shit, but the biased human pieces of shit who want to somehow eradicate the homeless shitters in their communities believe they are dealing with an epidemic that the wave of a hand can solve. Hey, you people who are moving into renovated former ghettos where destitute people once took refuge in the flophouses that you paid a cool million for, you displaced these people in your need of a hipster existence in the central core of a city that happens to have a booming economy.

You take your $2,000 dog out for a walk and have no qualms that your elite mutt, which eats K9 Natural Lamb Feast Raw Grain-Free Freeze-Dried Dog Food that costs you $20 a feeding, craps on the street, but you forgot the poo-bag, so you can justify the shit smear on the street as being all-natural expensive shit as opposed to the products of drug-addled human scum who are excreting the remains of the Chipotle they dug out of the trash. Why isn’t your dog’s shit as gross as a homeless person’s butt-spunk? Fuck you.

Every day in a 1-mile radius around my neighborhood, there are no less than six new steaming piles of feculence, and not one of those piles of stool is from some homeless person. On the contrary, they are being left where they fall off a dog that lives in a house being walked by a person that lives in a house. The number of homeless people I see with dogs is minuscule, but the comfortable wretches who might believe there are lesser human beings who should collect the turds of their terrier are abundant, and yet NOBODY is complaining about well-kept dogs leaving dung balls everywhere.

This poop hypocrisy is a load of shit in its own right. How the hell do we hold a homeless person or government official accountable for someone who needs to heed the call of nature with a satisfying number 2, relieving the pressure of a full shit-sock but has nowhere to go?

Please, someone, tell me where the homeless are supposed to go. As someone who lives indoors, drives places, and doesn’t have dogs, I occasionally have the need to leave some feces in a place other than my personal fudge pot, and I know firsthand how difficult that can be when everywhere you look you find signs that admonish you that, “Restrooms are for customers only.” Well, leaving a deposit of what had been a $75 dinner the night before it magically turned into a brown creamy stinking load might be considered a way of giving you my business. Thus, I’m a kind of customer.

If I were a dog and the person taking me into their responsibility were to fail to recognize that my paws are not able to bag my own poop, maybe they shouldn’t be allowed the privilege of sharing time with me? Who are these people who get a free pass to have their animals scatter their nightsoil to the wind and then turn around and hold people of lesser means to higher standards?

Kermit MKIII

IME Kermit MKIII beta unit

Modulation madness may be a cheesy way to quickly describe this updated Eurorack module from Industrial Music Electronics (IME), but madness may be the most apt description. Welcome to the Kermit MKIII Quad Modulation Aid, which is soon to be released.

During the previous months, I’ve been putting the firmware through its paces, looking for things that may not be working as programmed or that I perceive as flawed. When Scott Jaeger made me aware that he was updating his previous design that was approaching its 5th birthday, I thought he was going to deliver what amounted to a quad LFO. It could be considered that, but it’s a magnitude more ambitious than that.

As a modulation aid, I don’t believe there’s anything in the world of Eurorack that seriously comes close to this refresh of the Kermit.

Making generative music requires elements of randomness, and Kermit far exceeds the capabilities of the previous model. While the original Kermit certainly offered complex forms for its LFO shapes, it was still basically a dual-channel LFO as far as my usage was concerned. Early in the development stage of this MKIII version, the LFO menus were the first to solidify the module in a working state and were consistent with my expectations for what I thought this module would be: four channels of LFO.

Then complexity kicked in. Oscillators, Sample and Hold, Envelopes, Random, Tap Tempo, and internal cross modulations of nearly everything were becoming features. Within those features were other features starting to offer a matrix of potential that took me a minute to get my head around. But don’t think of what I just described as being some kind of four-channel version of the Expert Sleepers Disting and its 84 algorithms. The functions I’m referring to in the new Kermit are all part of the control set of affecting parameters of modulation.

I could try to compare this to the 22HP Control Forge, but where that complex module has eight stages and essentially one main CV output that allows it to act as a looping envelope, the Kermit is only 12HP with four channels that aid the user in delving into sonic psychedelia with quick randomization that spews intricacy from its outputs.

The user can certainly use this module as a straight-up, easy-to-work-with LFO, but it’s when you start to explore the 1V/Oct and CV control of parameters combined with the internal cross modulations that the idea of Quad Modulation Aid takes on properties that exceed the imagination. You are left wondering just where Scott’s mind goes to find these relationships.

It could be said I’m biased because I’m testing these modules, but that would ignore the fact that I don’t need to write anything about IME and its products other than the nearly 30 emails and 150 observations, notes, questions, and personal blunders of my own ignorance I shared with Scott about the Kermit.

In a sense, this is a blog entry to myself, so I might remember my impressions and some of the details of the previous months and what it took to get to the point where Kermit was on the verge of being released to the general public.