Artlink – First Friday’s in Phoenix

October 7th was my first visit to First Friday, sponsored and coordinated by Artlink. Held in downtown Phoenix, Arizona, since 1993, First Friday is an Art Walk where more than 90 venues showcase art in its myriad forms with various installations and exhibitions.

I followed the recommendation on Artlink’s website suggesting that first-time visitors begin their evening at the Burton Barr Library with free parking and a free shuttle. The library also has a map of facilities along the art walk that is updated monthly. Not knowing where to start, I got on the first bus, taking me on the eastern route.

Getting off near Roosevelt and 4th Street, I first stumbled upon this guy selling a locally produced movie on DVD titled Road Less Traveled. Three guys were set up with laptops showing the movie and t-shirts promoting their production company called Man On The Run.

The movie guys wind me up with their contagious enthusiasm,  creating more interest in what is on display and what lies ahead. Just here on the street corner, before ever making it into a gallery, I am checking out half a dozen artists. A local handbag designer has a wide selection of purses for sale.

Next to the purses sits a young guy offering his drawings for sale. While primarily ink and pen fill the canvas with a Latino influence, elements of surrealism also poke their way into his work. The artist is quick to grab your ear, trying to capture your attention so he can pitch you his works.

Away from the normally empty lot, a gallery opened its doors, inviting passersby the chance to meander in and glance upon a number of paintings. About this time, another busload of shuttle passengers exits their vehicle and the street is teeming with people.

More venues open their doors; I must have been early. I’m still unsure what to expect and what I will find next. Adjacent to the paintings, another room features an installation of mechanical electronic teeter-totters. Having only visited a few of the vendors, my surprise is growing, and cynicism is giving way to genuine enthusiasm.

Not only is art on display, but there are also shops selling crafts, picture framers, pizzeria, lounges, cafes, a yoga studio, and places in between. These streets have long been forgotten and left to decay, but this renaissance, with its gathering steam, has the opportunity to fuel a cultural life in downtown Phoenix.

Last year, there were just over 80 exhibitors. This year, with over 90, more artists and craftsmen are joining in this important revitalization effort, and if the crowd continues to expand beyond the 10,000 that attended First Fridays in 2004, Phoenix stands a chance to become a popular destination for people seeking more than sun and golf.

The atmosphere here on this Friday night is rounded out with enough informality that most anti-authoritarian rebellious individuals should find some level of bohemian culture to connect with. In a city renowned for its sterility and quick removal of graffiti, the sight of these street-side posters gives an air of being in a ‘real’ city.

The galleries themselves range from wide-open, professionally designed spaces with work areas, meeting rooms, and even living environments to the funky small hodgepodge of eclectic weirdness that is sure to alienate the sophisticated snobs descending from Scottsdale looking for the refined sterility they are more accustomed to.

While much on display is from amateurs just beginning a career, there is a wealth of mature creativity rising like the proverbial Phoenix our city was named after. The works and artists featured are forever changing, so what you see on any given night may not be there on your next visit.

In the same gallery with the above paintings, I found other display areas, one of which included these pendants created by Jennifer R. Phillips, who owns and runs her own website at www.curiousglassdesigns.com, where you can see more of her creations. Contact Jennifer and maybe purchase something or another.

Turns out these artists appreciate a good ambiance and find that musicians performing live contribute to our fun. For the musicians not finding space in a gallery, some were simply planting themselves on a corner and started busting a jam. About this time, I have to pinch myself as this is not the Phoenix I bemoan; this is something that, if left to grow without strangulating overzealous governmental intrusions, could emerge as the step that puts Phoenix on similar footing with New York, Los Angeles, and Chicago regarding cultural diversity and entertainment.

Sadly, history has shown the Phoenix authorities to be suspicious of young people congregating as the city fathers fantasize that nothing good can come from such activities. Surely, some bad apples will get in trouble for a minor infraction, which will bring the wrath and fury of law enforcement and this wondrous moment to a screeching halt.

For now, though, Artlink and First Friday are plowing forward with an aggressive and well-thought-out aim of grooming this art walk in Phoenix as the largest event of its kind in America. Artists interested in exhibiting should contact Artlink or visit First Friday to see what spaces are available for rent or where you might put down a table to hawk your own wares.

The nightlife in Phoenix will forever be changed by this event is my sincere hope. Many a time, Caroline and I have left Phoenix for Los Angeles for some cultural indulgence, catching midnight Hong Kong films in Hollywood, dinner in Little Tokyo in the heart of Los Angeles, and a stroll down Third Street Promenade in Santa Monica for music, art books, coffee, and the often bizarre street performance.

Today, though, a new face graces Phoenix; a burgeoning art scene enveloping a wide swath of diversity is being seen. Get downtown for a First Friday event and jump on the free shuttle bus. While you will see people from all walks of life, expect a little grumbling from the older, snootier types. This is an opportunity for the citizens and visitors of Phoenix to make a positive impact on the quality of life that can grow from this or, left ignored, will shrink back into its lonely self.

It is not only on the First Friday of the month, but Artlink is also now promoting the Saturday After. From 1:00 to 5:00 p.m., many of the venues are open and welcoming of the non-nocturnal types and families who might find visiting easier in the middle of the day on the weekend. No shuttle bus service is in operation on Saturdays.

Want more? Third Fridays are yet another opportunity to experience a night out on the town. Not all venues are open; some charge an entry fee or would like a donation. The best is to pick up the First Friday Map, which features a legend of who’s open on Saturday After and Third Friday.

So come on, take a walk along Grand Avenue or up Roosevelt Street, and check out the new colors, sights, and sounds. Phoenix may still be the Biggest Small Town in America, but we are transforming. Support Artlink and First Friday by visiting or becoming a member to further support the “bringing together of artists, the public, and businesses for a greater understanding, appreciation, and promotion of the arts and development of a strong and vital downtown Phoenix arts community.”–*

The next stop, The Red Door Studio at 1229 Grand Avenue, is open every Friday from about 6:30 to midnight and every Saturday from 7:30 (maybe) to midnight or so.

Special thanks to Artlink’s sponsors: the New Times, the Arizona Commission on the Arts, The Arts & Business Council of Greater Phoenix, Copper Square Downtown Phoenix, the Friends of the Phoenix Public Library, Phoenix College, Arizona Arts Supply, and Bentley Gallery.

–* quoted from Artlink brochure

Phoenix, Arizona

City Hall in Phoenix, Arizona

Welcome to Phoenix, Arizona. This is the city Caroline and I have called home for the past ten years. Upon moving back to the United States from Frankfurt, Germany, we chose to live in this city in the desert due to the spectacular weather, the opportunities for employment, and that I have family here, which helped make the transition a little easier. The building on the right is Phoenix City Hall.

Downtown Phoenix, Arizona

The city of Phoenix is a large metropolitan area that embodies the worst in urban sprawl. Phoenix is now America’s 6th largest city and will soon be the largest in sheer landmass. The downtown area is an odd design that effectively has no center. While this map offers convenience for finding a building in the immediate area, it is of no particular use outside of pointing a visitor to a few government buildings.

The breadth of our small town, including attached communities such as Mesa, Scottsdale, Tempe, Glendale, Peoria, and Sun City, is nearly 35 miles wide (57km) by 55 miles (89km).

Downtown Phoenix, Arizona

If you could identify a center, the closest you would come is Patriots Square Park on Central Avenue between Washington and Jefferson Streets. Besides the occasional homeless person and a small festival or two a year, this park is, for the most part, deserted. Immediately south of the park is a no man’s land, which gives way to south Phoenix, a high-crime neighborhood.

Downtown Phoenix, Arizona

Phoenix is the state capital and, thus, our seat of government. Our courts, city hall, and state capitol all reside downtown. The building on the right is our City Municipal Courthouse located close to the main Phoenix Police Station and the Sheriff Department’s main offices and jail.

Architecturally, the city, on occasion, finds an inspired design that lends itself to a desert aesthetic that creates a unique and interesting downtown area. One of the more recent buildings erected in Phoenix, the Justice Sandra Day O’Connor Federal Courthouse, opened in October 2000 at a cost of more than $110 million.

Federal Court House in Downtown Phoenix, Arizona

This massive building is one of those that doesn’t quite fit the trademark desert pallet of colors or the architecture that shapes the other downtown buildings. The entryway opens to an immense atrium that is sterile and impersonal. Controversy surrounded the courthouse upon its opening as cooler heads wondered out loud at the efficiency of controlling the climate in a seven-story atrium in a city that sees summer temperatures of 120 degrees.

The Burton Barr Library at 1221 North Central Avenue, on the other hand, was well received. Designed by Will Bruder and completed in 1995, the library houses a 1,000,000-volume collection. With 280,000 square feet of interior space, the library also features meeting rooms, wide-open spaces, and a Rare Bookroom. The copper exterior is said to contain enough copper to make 17,500,000 pennies. On the first Friday of each month from October through March, the library is the main pick up and drop off point for the free shuttle busses that deliver thousands to the growingly famous First Friday Artlink featuring art galleries, cafes, art installations, musicians, and corner art.

Orpheum Theater in Downtown Phoenix, Arizona

While most of Phoenix has had its history razed, a few examples of our early architecture still exist. The Orpheum Theatre at 203 West Adams Street is one such example. Built in 1929 and reopened after renovations in 1997, the Orpheum is now on the National Register of Historic Places. The theatre features dance and comedy performances, along with music and the occasional silent black-and-white film.

Downtown Phoenix, Arizona

Another historic site in our fair city is the Hotel San Carlos built in 1927. The hotel still stands wherein 1874, the first school in Phoenix was built, but by 1916, the school was in disrepair, and the entire block was purchased by the Babbitts, who would play an important role in Arizona’s history.

This monument to luxury was the first high-rise in the Southwest. It had full air-conditioning, steam heat, and elevators. With these amenities came expenses and so San Carlos was able to charge $1 more than the local competition. The opulence wasn’t lost on Hollywood glitterati, who made the San Carlos their home while in town for movie premieres or when performing at the Orpheum. Clark Gable, Spencer Tracy, Carole Lombard, Jean Harlow, Ingrid Bergman, and Mae West have all spent an evening at this first-class hotel.

While the occasional renovation has occurred, much about the San Carlos remains true to form. The lobby still finds its original wall detail, paneling, and recessed ceiling coffers intact. The Austrian crystal chandeliers, sconces, and mirrors have been found and replaced, adding to the original character that defined the hotel. One of the original attendant-operated manually controlled elevators is still in service, complete with the original copper-clad doors. This is the only historic hotel still in operation in Phoenix; it is well worth the visit.

Downtown Phoenix, Arizona

With the addition of the Westward Ho Hotel in 1928, Phoenix now had a new building that would take the claim of the tallest in the state. Located at 618 North Central Avenue, the building underwent an extensive refurbishment in 2004. Today, the Westward Ho is a low-cost home for the disabled and senior citizens. During the 1930s through the 1950s, the Westward Ho was a hip destination attracting the likes of Jack Benny while doing his radio show during World War II. Other famous guests included Elizabeth Taylor, who had a suite. Rudy Vallee and Shirley Temple also enjoyed the hotel. John F. Kennedy, Richard Nixon, and Henry Truman all spent a night or two. By the 1970s, the hotel was suffering and in decline, and by 1979, it closed, but not for long. By 1981, it narrowly escaped demolition and took on its current job. Tours are available by reservation only and cost $5 per person.

Downtown Phoenix, Arizona

Today, the skyline of Phoenix is blooming. Modernization is a slow and lumbering process, but it is trudging on. For years, the city custodians have been promising downtown renovations that will bring life into our quiet and, on weekends, nearly deserted city center. The fruits of their labor may be starting to pay off.

Phoenix, Arizona

Of course, controversy will always follow when government officials take on the risky venture of spending their constituency’s tax dollars, and our city has been no different. Shenanigans regarding the building of Bank One Ballpark saw a County Supervisor shot by an outraged citizen. Even today, the sweetheart deal cut between politicos and the moneyed interests who gained by the lucrative dealings is a tender spot amongst some of the people of Phoenix. On the positive side, the more activity the downtown sees, the more motivated people are to bring new vibrancy and cultural entertainment to our city.

Downtown Phoenix, Arizona

Fortunately, our city of Phoenix is not mired in out-of-control violence and corruption. The downtown area is a clean and peaceful environment. It is nearly always in a state of improvement. With clean parks, tree-lined walks, old historic neighborhoods undergoing a renaissance, to art and culture finally getting a toe-hold, Phoenix is showing promise in meeting the needs of a city that has become the sixth-largest in America.

Downtown Phoenix, Arizona

A major step towards a booming future is this: the future site of the University of Arizona Biomedical Campus along with the Translational Genomics Research Institute. This grand collaborative endeavor will team Arizona State University with the U of A and TGen to provide clinical health research in addition to providing health professionals to Arizona.

Downtown Phoenix, Arizona

Around the downtown area, a number of historic housing districts have found a renewed interest from Phoenicians looking for a vibrant downtown lifestyle and are making the investment in time and money to help forge that hope. More than 7000 homes in four major “eras” comprise the 36 historic districts.

The Heard Museum in Downtown Phoenix, Arizona

Entertainment and culture play an important part in living in Phoenix. Serving these needs are places such as our Burton Barr Library mentioned above, along with Bank One Ballpark, a host of museums and theaters that add to the diversity. The Heard Museum has long been a popular destination amongst both residents and tourists.

The Heard Museum in Downtown Phoenix, Arizona

The Heard has been in Phoenix for 75 years and is the showcase museum for the display of Southwest Native American art. The newly renovated galleries and displays have added to the quality of the visitor experience, and an expansion of the gift shop about to get underway promises to add greater value for the guests of the Heard.

The Heard Museum in Downtown Phoenix, Arizona

The Museum encompasses 130,000 square feet, allowing space for galleries, a library, performance areas, a bookshop, and a café. In early February, the Heard hosts the World Championship Hoop Dance Contest, which is a must-see, and over the year holds a number of events worth visiting. The Arcadia Farms café at the museum offers a patio setting where you can enjoy fresh soups, salads, and artisan bread sandwiches seven days a week from 9:30 to 3:00 p.m. The gift store, bookshop, and museum are also open seven days a week from 9:30 to 5:00 p.m.; admission costs $10 for adults and $3 for children. Free guided tours are offered daily at noon, 1:30, and 3:00 p.m. lasting 45 minutes.

Desert Botanical Garden in Phoenix, Arizona

Another nice place worth visiting is the Desert Botanical Garden. Since its inception in 1939, the garden has grown to 50 acres, housing 139 rare, threatened, and endangered plant species from around the world. The garden is one of only 44 accredited botanical gardens, making for a one-of-a-kind museum.

Desert Botanical Garden in Phoenix, Arizona

With various trails, a library, a herbarium, a garden shop, tours, and special events such as the Las Noches de las Luminarias during the winter holidays, the Desert Botanical Garden is worth visiting at all times of the year. While exceptionally hot in the summer, the mornings are generally cool, and with so many cacti and wildflowers in bloom, consideration should be given to a mid-summer visit if you are in the area. A couple of butterfly exhibits occur yearly, along with music in the garden events and even desert landscaping classes. The garden is open seven days a week from 8:00 to 8:00 October through April and 7:00 to 8:00 May through September.

Chinese Cultural Center in Phoenix, Arizona

After all this walking around, it is time to eat. The Chinese Cultural Center may just be the ticket. The center offers shopping for food, jewelry, and gifts, along with a host of Chinese restaurants. Just sitting in the traditional Chinese gardens offers respite from a desert environment that, at times demands the eyes focus on something altogether different, and the replicas of ancient Chinese pagodas, statues, ponds, and shops offer just that.

Arizona sunset

Phoenix has a long way to go before becoming a truly engaging city, but it is trying to take steps in the right direction. The growing downtown Art Community, the Public Market on Saturdays, the many ethnic groceries, golf, hiking, shopping, resorts, and the surrounding communities of Scottsdale, Tempe, Mesa, Glendale, and Chandler are all contributing to making Arizona a better place to live, visit, and be entertained.

Menu Plan

Preparing meals in a home where someone is a vegetarian while the other one is not, can put a monkey wrench into any hope for simplicity when it comes to eating a meal. A meal plan is essential for me to see what I will be cooking in the coming days, as spontaneity is not always easy when trying to keep veggies exciting. To avoid a bland diet and eating out all the time to satisfy my need for diversity and lots of flavors, I try to work with a meal plan to see where our diet is headed and to see that there are exciting meals coming up. Keep in mind that at home, I eat a vegetarian diet along with Caroline.

Thank GOD for the internet; the cookbooks get expensive and rarely have a diversity of items that I’m looking for. The other problem with cookbooks is that they focus too much on bread, cakes, cookies, breakfasts, sauces, dips, dressings, appetizers, snacks, and desserts; I need real ‘meal’ type recipes.

Breakfast doesn’t need a meal plan. Most of us eat a vegetarian breakfast most of the time anyway. We start the day with a smoothie. Our smoothies are not only for breakfast but are also used to try to stay in compliance with the new food pyramid. My typical recipe looks like this:

½ cup Walnuts

2 tbsp Flax Seed

2 tbsp Wheat Germ

½ cup of Soy Yogurt

2 tbsp Flax Seed Oil

2 Cups Frozen Fruit (Blueberries, Strawberries, Banana, Mango, Peach, whatever)

2/3 cup Carrot Juice

2/3 cup Orange Juice

For Caroline’s glass, I added a heaping teaspoon of protein powder.

From this, we get part of our nuts, seeds, grain, protein, omega 3’s, fruit, orange veggies, and a good dose of vitamin C along with a bunch of other nutrients.

Some days, we also have oatmeal with a smoothie. Our preparation of oatmeal typically has some raisins or dried cranberries, a banana or a grated apple or strawberries, blueberries, or a peach.

Lunch is a play-it-by-ear meal. Often, Caroline takes leftovers to work, but at times will go out with coworkers and have a salad, baked potato, or veggie burger. I forage about town.

Dinner is a difficult meal for me; I was raised to have meat at dinner, and it adds the savory substantial item that veggie dinners are often missing for me. Here, I need a meal plan.

From spending more time in the kitchen, I have a good sense that a recipe is going to have the oomph I want for it to be satisfying or interesting enough to warrant trying it. Complex flavors are the key I’m looking for, not boiled celery with tossed pine nuts over tofu.

Here is my meal plan for the next week and a half:

Saturday – Homemade Gnocchi with Tomato Cream Sauce (Italian)

Sunday – Eat Out

Monday – Chick Pea and Potato Curry (Indian)

Tuesday – Homemade Green Corn Tamales and Refried Beans (Mexican)

Wednesday – Foul Mudammas & Pita Bread (Middle East Recipe)

Thursday – Gobi Manchurian (Indian/Chinese Cauliflower Recipe)

Friday  – Arroz Verde (Mexican Green Rice Recipe)

Saturday – Fire Roasted Corn and poblano Chili Tacos (Mexican)

Sunday – Eating Out – Meat Fix!

Monday – Tacos of Calabacitas (Mexican Zucchini & Corn Recipe)

Tuesday – Lathera (Greek Baked Veggie Dish)

Wednesday – Beet Curry (Indian)

As long as time allows, nothing in our kitchen is prepared in some far-off factory as a ready-made meal. I use dried beans as often as I can (yes, we have a pressure cooker to speed up the cooking of dried beans). I will make the gnocchi by grinding cooked potatoes, mixing them with flour, and shaping them myself. The tomato sauce is made using ripe Roma tomatoes, garlic, ginger, olive oil, balsamic vinegar, fresh basil, oregano, onion, and cream. For the other dishes, I will use fresh corn, green chilies, cauliflower, zucchini, spinach, cilantro, beets, potatoes, tomatoes, and various other ingredients.

For the longest time, I resisted the idea of a vegetarian diet, but since I tried cooking more and more dishes that both Caroline and I could enjoy, it has become a habit to use the freshest food items and to make a serious effort to try new things. My thought has been that if I am going to try making this or that, I should make the best effort to create something truly healthy. which has led me to avoid prepackaged convenience.

Shopping frequently, about 3 to 4 times a week, I am constantly looking at what the store has and what might inspire me. This is especially true when visiting ethnic groceries. If I find an item that looks interesting, but I am at a loss to know what to do with it, I will either ask anyone standing near me or note it for later when I can look up on the internet what it is and what it is used in.

State of Isolation

Why are so many people choosing the state of Arizona as their next home? Most don’t know before arrival that they are actually moving to a state of Isolation. At first, they will assume that the neighbors have kept their distance out of consideration, allowing the newcomers to settle in. After a short time, most people will then make an effort to introduce themselves to the neighbors – if and when they are lucky enough to catch them during the 14.9 seconds their garage door is open. A year or more will pass before the transplants realize that no one wants to say hi and that this is a normal part of living here.

I don’t understand this mentality, though. I am at a loss as to why anyone would want to be so isolated. I question myself weekly, at times daily, why I am still living here. Anywhere else I go, people are friendly and ready to strike up a conversation, well, except for Las Vegas, that is. Come to think of it, I’ve not had many a conversation in Death Valley either. Maybe this is an issue of living in a desert.

With our near-barren landscape, we adopt a barren community mentality where just as cacti are spread apart and silent so then too will be the human inhabitants. Of course, this isn’t a rule but a fairly accurate generalization.

Wide swaths of the Valley of the Sun live under a cloak of silent transparency. Behind the gated entries lie our stealthier citizenry. These Arizonans can be spotted at dusk while visiting various establishments, still brandishing their invisibility-inducing dark glasses and human contact-repelling cell phones that, in combination, build an impenetrable fortress allowing for maximum anonymity. As quickly as they dart into the reality of space-time that is viewable by mere mortals, they are just as quickly gone and well-protected and hidden from prying eyes in their gated villas.

Clandestinely, the middle class who have yet to perfect their covert skills of movement without being seen are but amateurs at times forgetting to close their garage door or remove sunglasses at dusk, lose their cell phones, and, worst of all – live in homes on open streets where anyone might drive or walk right up and intrude.

As for the poor, hah, no skills whatsoever! They will answer questions from lost travelers, and ask how you are doing at dinner; heck, they have been witnessed to say good morning to strangers. I suppose ignorance goes with being poor, for if these unassuming, less fortunate amongst us had an ounce of sense, they would don the darkest glasses and, at a minimum, give the rest of us a talk-to-the-hand wave and quickly flicker out of existence into the vastness of the lonely desert.

We live here in Phoenix as moles. We have crawled into our little holes, and no one sees us, and we don’t even bother to come out at night. Our freeways are empty at 9:00 p.m. Monday or Saturday as the minimal nightlife and people venturing out of their caves is nearly an unknown quantity here.

Something is broken here: the heat, the sun, maybe the glare reflecting off half a million swimming pools causes some type of flare which is bouncing off what remains of the ozone layer, and evil waves are washing our brains, making us insipid, non-communicative shells of human beings who must escape the malevolent force which silences us to our neighbors.

Does a city require snow, blizzards, rain, hail, wind, tornadoes, earthquakes, or hurricanes for people to come together, befriend one another, and act like neighbors sharing in the culturing of a spirit to make the place they live in a happy, friendly, open, and caring community? Or are we dried up and shriveled inside from the heat that bears down on us two-legged raisins?

U.S. TV News are a Crime

Having not watched television news for about two weeks following 9/11 besides the occasional silent news being shown in various restaurants, I was aghast at what I had seen over the past week on TV.

We still do not have television reception here at home by choice, so I have peeked in on other folk’s televisions to see what has been transpiring in New Orleans. Last Tuesday was the first look, and what I saw was the New Orleans black population running amok. Ten minutes was enough, and I moved on. Various conversations led me to realize that other people felt that only the blacks were looting, and the news had confirmed this for them. Curiously, I asked Caroline to phone her mother in Germany; in the German media, it was shown that both blacks and whites were looting – interesting.

By Friday, my curiosity was getting to me, so I made arrangements to visit someone to watch what a majority of Americans were seeing. On the way, I turned around, thinking that seeing the despair would lend nothing positive to my day. On Saturday, I could hold out no longer, and upon visiting a friend, I tuned in to Fox News and was shocked and astounded. Not by the images of the destruction of New Orleans but by manipulation from the media.

Fox News was playing melodramatic music, taking the news out of “news” and presenting a performance piece meant to wrench emotional reactions from its audience. Piecing together heroic and tragic pictures juxtaposed against dramatic music smacks of propaganda trying to manipulate a population of viewers into having particular “programmed” emotional responses. This must serve some purpose that the ‘powers that be’ within the corporate organization have found to be effective in attracting viewers; for me, I was repulsed.

Consider the definition of propaganda, quoted from Wikipedia, “Propaganda is a specific type of message presentation aimed at serving an agenda.” In this instance, the agenda is to reshape the views of the audience from that of betrayal through negligence from elected leaders into recognition that heroes are working to save the less fortunate, of soldiers and law enforcement taking a tearful-eyed victim on their shoulder, or a lonely boy hugging a trusted dog, all the while longing music kicks at the human reflex to feel sympathy – a radical manipulation if you ask me.

Next, from Wikipedia, regarding the purpose of propaganda, “The aim of propaganda is to influence people’s opinions actively, rather than to merely communicate the facts about something.” Excuse me, but the “news” is supposed to be about facts; even in this age of Fox News and the obvious slant to a conservative agenda, these people have an obligation to present the news as facts, with the audience deciding the meaning of those facts for themselves, instead what we have is music placed against heart-wrenching imagery causing viewers to reflect from an emotional stance instead of a purely logical one.

Hoping this was an aberration, I quickly turned off the sound and went about our visit with this friend. On Sunday, though, I found myself at my mother’s house, where my family was watching the events unfolding in New Orleans. The TV was tuned to MSNBC, and within minutes of our arrival, the “news” was being presented to the Coldplay song “The Scientist” with “moving” images from the disaster. This is beyond the pale; Americans are being manipulated by stupidity and yet continue to tune into this drivel.

When Hitler commissioned Leni Riefenstahl to present the images of heroism to a dramatic soundtrack and called the film “Triumph of the Will,” we denounced the movie as propaganda, thoroughly condemning the usage of such blatant manipulation. Today, our news organizations are free to use the same tactics against the citizenry of the United States so long as it builds patriotism and takes our collective mind off transgressions and weaknesses displayed by our government.

This is such obvious corporate protection of the images and feelings that the population might otherwise have of the government, and in exchange, the government throws tax breaks, shelters, and laws that benefit the wealthy who own and control these corporations so that a status quo allows both to thrive at the expense of us the less privileged middle-class majority of citizens who are all victims of our own stupidity to continuously be manipulated by such ugly propaganda.

Cheetos, Woods, Kinfolk

Cpt Kirk, DJ and old friend in Phoenix, Arizona

This is a long-time friend, Kirk M., a.k.a. Capt. Kirk: part-time DJ, musician, odd jobber, and purveyor of other stuff. Kirk recently had the opportunity to spend some quality time with Sheriff Joe and his men at the infamous Tent City. After more than six months as a prisoner in our local jail, he was set free. Kirk failed to pay child support; truth be known, Kirk was unable to make enough money to pay the monthly payment from his pittance as DJ. So now he is to work odd jobs and forfeit most of whatever he makes so he can stay out of jail.

While in jail, Kirk learned the local Tent City hierarchy of prisoner politics and has shared with me what I am passing on to you today.

The jail is effectively divided into constituencies delineated by race, more or less, although the races are free to mix and befriend one another. The various ethnicities are as follows: Chicanos these are Mexican-Americans, who either by birth in America or by indoctrination are now Mexican-Americans, which are held to be in great contrast to the Piasas. Piasas are real Mexicans; they come from the homeland and are not Americanized like the Chicanos. Kinfolk are African Americans, and I am sure that true Africans would have their own grouping if there were, in fact, any held in the tents. Caucasians or whites are Woods, from the old term Peckerwood. Next, we have the Chiefs, who are Native Americans, and lastly, the Cheetos, who are the gays in jail.

These distinct groups are ruled by a Head, except the Cheetos, who are headless. The rules in jail between prisoners are very seriously enforced between those being incarcerated. Rules and regulations are important here as they keep peace in the yard, and more importantly, the guards keep their distance and would rather have the prisoners deal with infractions to make the guards’ jobs easier and to keep the jail population cool in dealing with the authorities. This can be a win/win situation.

When a rule is transgressed, the victim must report the violation to the Head of the group to which the perpetrator belongs to, not to their own group Head. Punishment is typically handled within the offender’s race to keep racial tension as low as possible in such a volatile environment.

If two races were involved in the violation, the Heads of the two groups would come into “Council” to determine the fate of the accused. There are three levels of an infraction: minor, major, and serious. In the case of major or serious rule-breaking, all group Heads might come together in Council in order to administer punishment.

The Heads carry out punishment with the usage of “Torpedoes.” A Torpedo is an individual chosen for their ability to knock someone out with a single punch. Each group Head employs three Torpedoes to act as the group’s rule enforcers.

For a Minor Infraction, a “Chin Check” is issued. This is a single solid punch to the chin that is intended to knock out the offender. The Torpedo who delivers this blow is from the offender’s own race to avoid hostility from the appearance that could arise from someone suggesting that a Kinfolk punched unfairly a Wood or a Cheeto. Examples of minor infractions are someone urinating on a toilet as opposed to into the toilet, digging in the trash, making your group look bad, or disrespecting a Head or a Detention Officer (a.k.a. D.O.). Disrespecting a D.O. brings the wrath of the officers down on all groups without discrimination and so the inmates enforce a level of respect for their jailers.

A Major Infraction is even worse news for the offender. This is when a “Smashing” order is issued by the Council. A Smashing will bring all three Torpedoes from his group to have a free-for-all. The recipient of a Chin Check will get up after a few minutes, but a Smashing will cause serious hurt as a reminder of the mistake for days to come. A major infraction is stealing and fighting someone from another race. Interestingly, no fighting is allowed amongst the men who are doing time, but this does not apply to the area where people in temporary lock-up are housed.

The Serious Infraction is the highest violation of rules and decorum. Punishment is going to come down with radical brutality. The Council issues a “Rainbow”. A Rainbow is the attending of all Torpedoes to mete out punishment. Typically, this involves approximately 15 Torpedoes knocking on the offender’s door. This cannot be good, and I believe most readers’ imaginations will play out the conclusion of such an encounter.

A Serious Infraction is defined as snitching or stealing a drop. A drop is an in-camp airdrop from the outside world where a “Quarterback” does a drive-by on the other side of the fence and chucks a delivery over the two fences to a receiver. In an incredible show of sensibility, 20% of the drop material is divided between the Heads who use it to supply the poor and indigent amongst the prisoners – this keeps lips sealed and the less fortunate loyal to the overall population.

Under certain circumstances, the above rules, which only apply to the main yard, are cast aside. Using the term “Punk” or “Bitch” opens the floodgates, and it is man-on-man, but only within the same race or group. A question left unanswered for me here is, what if a Cheeto calls a Wood a Punk, is a Cheeto only allowed to fight other Cheetos?

If you are in the secondary yard where drunks, weekenders, work release, or the recently locked up are held, no rules are in effect. This is where you “Man-Up” or “Roll-Up” and a recent arrestee might find they need to fight or ask for protective custody. Protective custody has its own problems, as this is known as “Punk City.” As a citizen of Punk City, you are now an honorary punk, also known as a bitch; this is bad news.

So, what happens when the Council fails to correct a problem or the problem is so big that the authorities must get involved? This brings out the “Turtles”. The Turtles are the Special Response Team (SRT) and are the yard’s worst nightmare. Turtles are big, really big, over 250 pounds each kind of big. Wearing full battle gear, the Turtles arrive with shin protectors, knee pads, stab vests, elbow pads, jackboots, shields, and other weaponry.

Turtles typically try to use non-lethal weapons to corral and control the situation. The first weapon of choice is the “Devastator” followed by the “Mega-Devastator”; these are fire extinguisher-like devices under great pressure filled with pepper spray. Next in the arsenal is “Paintball Guns”. These are no ordinary paintball guns; these use over 800psi of air to shoot the target, compared to the consumer version that shoots with only 300psi of pressure. The paintballs themselves are filled with mace. To maintain a safe perimeter, the Turtles are carrying shields fortified with edges that are actually Tasers.

Let the games begin!